I've sung (strictly, not sung) a great many of these
without knowing what they're officially called.
I've created this one with what looks like an awful
hack. Is there a better way in LP? (Googling
lilypond guide note
turns up anything but.)I can live with this as it's good enough for almost everything I do. But if you know this dangerous corner¹, you can see that the hack doesn't scale to the two notes in the bass staff: you get just one bite of the cherry. ¹ Finzi, God is gone up—I hasten to add that I'm not setting it: it just makes a good example of the potential problem, which here occurs five times in three locations. Cheers, David.
\header { tagline = ##f }
{
\key e \major
\time 3/4
r4 r g'
\once \override TrillSpanner.stencil = ##f \pitchedTrill dis''2.
\startTrillSpan ees''
\key aes \major
<ees'' c''>4 \stopTrillSpan q q
}
{
\clef bass
\key e \major
\time 3/4
gis2 e4
\once \override TrillSpanner.stencil = ##f \pitchedTrill <gis fis>2.
\startTrillSpan <aes ges> %%% wrong %%%
\key aes \major
g?4 \stopTrillSpan g g
}
guide-note.pdf
Description: Adobe PDF document
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