Hi Robert,
Am 05.12.2017 um 16:02 schrieb Robert Murdoch:
> It just seemed strange to me that the program would do this.
Lilypond aligns the key signature (only the flats or sharps) and puts
the key cancellation (which is a different object from the key
signature) before the key signature.
Perhaps you can see the alignment and why it can make sense in this example:
\score {
<<
\relative c' {
\key e \minor
c1
\key bes \major
c
}
\relative c' {
\key g \minor
c1
\key g \major
c
}
>>
}
Of course if one staff didn't have any key signature (like c major) and
the other had many flats/sharps, the gap due to this alignment can be
quite large. I cannot tell you whether this gap conforms to music
notation standards.
Cheers,
Joram
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