Hi Ivan
Only very quickly sketched, and rather deficient, but a more 'normal' voice
arrangement system, and the tie to the f sharp is clear. You can adjust
this a thousand ways, and you could turn off the accidental at the new line
too if you want [with \override Accidental.hide-tied-accidental-after-break
= ##t]. I leave it as an exercise for you to play with the note alignments.
It depends on whether you are notating this as proper polyphony or in a
more free style, with the three notes of the chord lines up vertically - up
to you. SOoory I don't have time today to produce something nicer for you,
but you get the picture.
Andrew
====
\version "2.19.80"
\language "english"
\score {
\new Staff = "guitar"
{
\clef "treble_8"
\time 2/4
<<
\new Voice = "first"
{
\voiceOne
b4\rest
cs'4~
\break
cs'2
}
\new Voice = "second"
{
\voiceTwo
s4
cs'8 fs8 _~
fs2
}
\new Voice = "third"
{
\voiceFour
s2
d2
}
>>
}
}
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