Johannes Roeßler <j...@joei.de> writes: > Hi Guys, > > sort of an didactic question. Maybe I was tired or just stupid - I > forgot about the \killCues command and tried to build this on my own. > So - that means I know (now) the correct way to get rid of the cues - > but I'd still like to know where I was wrong with my idea: > > \version "2.19.58" > \language "deutsch" > > > ----8<-------------- > voiceA = \relative c' { > g8 a h c d e e e e2 e > } > > voiceB = \relative c' { > %\clef "bass" > > \tag #'voice { > \new CueVoice {\set instrumentCueName = "Voice A"} > \cueDuringWithClef #"voiceA" #UP #"treble" { r2 r2 } > } > > \tag #'partitur { r1} > a1 > } > > \addQuote "voiceA" {\voiceA} > > << > \voiceA > \removeWithTag #'partitur { \voiceB} >>>
Your example contains cut marks in the middle of the example and non-breaking spaces. If you cannot teach your mail client to keep spaces as-is, try attaching the file instead. > 1) This example nearly works - but the "a1" in voiceB will be printed > small like a cue note. No idea why. The documentation states in the section about \cue: File: lilypond-notation.info, Node: Formatting cue notes, Prev: Quoting other voices, Up: Writing parts [...] Note: When a ‘Voice’ starts with ‘\cueDuring’, as in the following example, the ‘Voice’ context must be explicitly declared, or else the entire music expression would belong to the ‘CueVoice’ context. -- David Kastrup _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user