I think it’s possible to respect someone’s hard work but provide feedback to make it even better. As the article shows, using Gourlay’s spacing algorithm has demonstrable limits in certain contexts involving polyrhythms. If you’re content seeing Lilypond perform no better than Finale, Sibelius, and Noteflight etc. (the status quo that perform the same way) in this particular area then that’s fine. However, if someone presents something which looks demonstrably better with math and examples to back it up, I would start paying attention. One of the criticisms of Lilypond is that it’s for computer scientists. I think that could be one of its greatest strengths.
C On Tue, Jan 16, 2018 at 7:00 PM Tomohiro Tatejima <[email protected]> wrote: > Hello, > > Yes I am not a specialist of music engraving and certainly I must respect > why the implementer made current implementation. > Is there anyone who knows the reason of current behavior? > > Regards, > Tatejima Tomohiro > > > 2018/01/17 午前7:16 "Simon Albrecht" <[email protected]>: > > On 16.01.2018 19:05, Tomohiro Tatejima wrote: > >> As for first issue, I can understand that `f d` does not need so much >> space between notes as `f f`, as `d` does not collide with the stem of >> `f`. But what I cannot understand is that `f a` or `f b` needs more >> space than `f f` or `f g` (assume all notes are \stemUp'd). I suppose >> they should be given same spacing as `f f` or `f g`. >> > > I’m sure that this was given a lot of thought when the optical spacing was > implemented and they clearly knew what they were doing. “seems a little odd > to me” is not a reason for changing it, you’ll need to provide really good > evidence why this should be changed. > > Best, Simon > > _______________________________________________ > lilypond-user mailing list > [email protected] > https://lists.gnu.org/mailman/listinfo/lilypond-user > -- Chad Linsley http://www.chadlinsley.com NEW ALBUM AUGUST 2015! https://itun.es/ca/urQv9 5365 Victoria Avenue - #202 Montreal, Quebec H3W 2P2 (514)849-2642
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