BB-3 wrote > Sorry, needed some time to realize that I expect to much from lilypond > to check automatically set bar lines and such "impossible cases" of > 17/16 itself.
That's exactly the point: but it isn't a case of "17/16", it's just a case of a quaver note starting at 16/16 (the notehead starts in the correct bar). The only "uncommon" thing is that it reaches out into the next bar. LilyPond's barline isn't "wrong", either: it's excalty where it should be and even the follow-up note will be placed a wee bit further away from the bar line so that everything will neatly align with other voices. Situations like my tuplet example (even with tuplet bracket/beam crossing a barline) can be found in Chopin's works among others, *so notes stretching over barlines are, albeit rare, absolutely possible* and not necessarily a "mistake". Apart from this: I may not want any auto correction feature to automatically remove the "erroneous" k in Handel's "Musick for the Royal Fireworks", for that's the way it was actually written back in the days... :) All the best, Torsten -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user