Harm, MUCH thanks for that snippet, now saved to my snippet folder, that so clearly explains what's going on with the << \\ >> polyphonic context syntax. I get it now.
Guy Guy Stalnaker jimmyg...@gmail.com On Tue, Jan 30, 2018 at 3:56 AM, Thomas Morley <thomasmorle...@gmail.com> wrote: > 2018-01-30 9:01 GMT+01:00 mosea chen <mosea.c...@gmail.com>: > > > > Hi, > > I found it difficult to engrave the staff as the fingure: > > > > > > the "slur" just does not work. > > The source is as follows: > > > > \version "2.19.80" > > { > > \clef bass > > \time 3/4 > > > > fis-2 ( e-1 d-2 | > > << > > { r4 ) e4 a8 ( g8 | } > > \\ > > { a,2. | } > > >> > > fis4 ) r4 r4 > > } > > > << ... \\ ... >> > is equivalent to > << > \context Voice = "1" { \voiceOne ... } > \context Voice = "2" { \voiceTwo ... } > >> > > The exercise is to distribute stuff to Voices properly, > starting/ending Slurs in the same Voice. > > One possibility > > \version "2.19.80" > > \context Voice { > \clef bass > \time 3/4 > > \context Voice = "2" { fis4-2( e-1 d-2 } > << > { r4 e4 a8( g8 \oneVoice } > \\ > { a,2.) } > >> > \context Voice = "1" fis4) > \context Voice > r4 > r4 > } > > Cheers, > Harm > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user >
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