[Please cc the list so that others can follow.] > On 31 Jan 2018, at 16:00, Michael Taylor <wmichael.tay...@gmail.com> wrote: > > Thank you for your message. I am hoping to reproduce the arrow notation used > by the composer, > rather than substituting a different notational convention (which this > composer has employed in other pieces). > The fact that he implies a difference between a slightly lowered F & a > slightly raised E makes me think that he > is seeking to inflect the note rather than achieving an identifiable > quartertone. Thank you also for alerting me to the > resources you mentioned which I had not found.
You might supply an example if you want others to see what it is. Some links: Helmholtz-Ellis notation: http://www.marcsabat.com/pdfs/legend.pdf http://www.marcsabat.com/pdfs/notation.pdf SMuFL glyphs: http://www.smufl.org/version/latest/ > MT > > On 30 January 2018 at 09:16, Hans Åberg <haber...@telia.com> wrote: > > > On 29 Jan 2018, at 22:39, Michael Taylor <wmichael.tay...@gmail.com> wrote: > > > > I am transcribing sketches in which small pitch adjustments are notated > > using up & down arrows. As my aim is to reproduce the composer's notation > > as closely as possible I don't want to substitute quarter-tone symbols. Is > > there a simple way to insert arrows in place of accidentals? Playback is > > not an issue. > > One can use Helmholtz-Ellis notation in E53 using OpenLilyLib, SMuFL, and > Graham Breed's regular.ly. _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user