Jan-Peter,
Thank you so much. Now I get it!
I'm working on critical editions of band music from the French Revolution
-- at the moment an Ouverture by Charles-Simon Catel. The edition engraver
has just become invaluable to me.
All the best,
Craig
On 1 March 2018 at 18:14, Jan-Peter Voigt <jp.vo...@gmx.de> wrote:
> Hi Craig,
>
> you remind me to rethink wording/naming of the different identifiers!
>
> In your example you point on two different ID-types. With \addEdition you
> add one target-ID to the current compilation. You can add multiple targets
> like fullscore, global-mods, original-page-breaks at once.
>
> With \editionID inside a layout-context block you assign a
> context-identifier. There is one context-identifier - one might call it
> context-address - per context-instance.
> So the score will have a contextID like perhaps:
>
> \layout {
> \context {
> \Score
> \editionID ##f bwv.247.marco.11.choral
> }
> }
>
> and the different context are created with e.g.
> \new Staff \with { \editionID flute } << ... >>
> so this Staff receives the ID `bwv.247.marco.11.choral.flute`.
> This should be stable across all compilations for all targets.
> Now you can enter modifications like
> \editionMod score 2 3/4 bwv.247.marco.11.choral.Staff <do something in
> score>
> \editionMod part 2 3/4 bwv.247.marco.11.choral.Staff <do something in part>
> \editionMod global 2 3/4 bwv.247.marco.11.choral.Staff <do something>
>
> (you can shorten this significantly with a variable!)
>
> Inside the respective files for the core and the part you can add targets
> as you like:
> \addEdition score
> \addEdition global
>
> The EE will apply all modifications for all active targets. In the part
> files you might use the shorter variant
> \setEditions part.violin.global
>
> To activate the "part", "violin" and "global" targets. If lilypond reads
> the mods for the score while compiling the violin part, it doesn't matter,
> as long as the score-target is not active.
>
> The edition-engraver is using pointers/IDs/addresses in three dimensions:
> 1. the target of the current compilation-run
> 2. the context-address
> 3. the timestep
>
> Right now target IDs can not be changed within a file/a compilation for
> different scores. So you will have one file for the fullscore and one for
> each part. These files will include the music from other files and then
> apply the mods needed for the current target.
>
> HTH
> Jan-Peter
>
> Btw.:
> One of the projects I have been working on over the last two years is
> typesetting a new reconstruction of the "Markus-Passion" from Johann
> Sebastian Bach (Ortus-Verlag/Berlin - fullscore ISMN 979-0-502340-65-0,
> piano reduction ISMN 979-0-502340-66-7, choir part ISMN 979-0-502340-67-4,
> instrumental parts ISMN 979-0-502340-68-1)
> by Andreas Fischer (St.Katharinen, Hamburg, Germany).
> I am going to write a description of this project when my schedule allows.
>
>
>
>
> Am 01.03.2018 um 02:34 schrieb Craig Dabelstein:
>
>> Hi all,
>>
>> I thought I had my head around the edition engraver but I'm going wrong
>> somewhere. If I want to have different mods for a score, the parts, and a
>> selection of mods applicable to both the score and the parts, do I need to
>> create three different editions such as this:
>>
>> \addEdition score
>> \addEdition parts
>> \addEdition scoreandparts
>>
>> If so, how do I switch between them?
>>
>> I was trying to use different editionIDs for everything but it's not
>> working. Can a score have multiple IDs such as:
>>
>> \layout{
>> \context {
>> \Score
>> \editionID ##f score
>> \editionID ##f both
>> }
>> }
>>
>> Thanks in advance,
>>
>> Craig
>>
>> --
>> *Craig Dabelstein*
>> Maxime's Music
>> craig.dabelst...@gmail.com <mailto:craig.dabelst...@gmail.com>
>> /http://maximesmusic.com/
>>
>>
>> _______________________________________________
>> lilypond-user mailing list
>> lilypond-user@gnu.org
>> https://lists.gnu.org/mailman/listinfo/lilypond-user
>>
>>
>
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--
*Craig Dabelstein*
Maxime's Music
craig.dabelst...@gmail.com
*http://maximesmusic.com <http://maximesmusic.com>*
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