Hello folks,
In the example below, chords are split over two voices by musicxml2ly, as it
found them (as harmonies) in the MusicXML file.
Would it be better to have only one chords part in such a case, to have Ebm9 at
the same horizontal level as the other three chords, as MuseScore does in the
second image?
Thanks for your help!
JM
%%%%%%%%%%%%%%%%%
\version "2.19.58"
% automatically converted by musicxml2ly from OVERFULL.xml_inter.xml
\header {
texidoc =
"Chords and fretboards assigned to
the voices in a multi-voice, multi-staff part. There should be fret
diagrams above each of the two staves."
}
\layout {
\context { \Score
autoBeaming = ##f
}
}
PartPOneVoiceOne = \relative d'' {
\clef "treble" \key c \major \time 4/4 | % 1
d4 c4 b4 a4 \bar "|."
}
PartPOneVoiceOneChords = \chordmode {
| % 1
s4 s4 es4:m9 s4 \bar "|."
}
PartPOneVoiceThree = \relative d {
\clef "bass" \key c \major \time 4/4 d4 e4 f4 g4 \bar "|."
}
PartPOneVoiceThreeChords = \chordmode {
c4:5 d4:7 s4 c4:m7.11 \bar "|."
}
% The score definition
\score {
<<
\context ChordNames = "PartPOneVoiceOneChords" {
\PartPOneVoiceOneChords}
\context ChordNames = "PartPOneVoiceThreeChords" {
\PartPOneVoiceThreeChords}
\new PianoStaff
<<
\context Staff = "1" <<
\mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
\context Voice = "PartPOneVoiceOne" { \PartPOneVoiceOne }
>> \context Staff = "2" <<
\mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
\context Voice = "PartPOneVoiceThree" { \PartPOneVoiceThree }
>>
>>
>>
\layout {}
% To create MIDI output, uncomment the following line:
% \midi {\tempo 4 = 100 }
}
%%%%%%%%%%%%%%%
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