Hi David,
it seems you have to add a manual barline at \cadenzaOff, but otherwise
I don’t see any problem with
%%%%%%%%%%%%%
\version "2.19.80"
<<
{
\time 6/8
2.
\cadenzaOn
\repeat unfold 14 { 4 }
\cadenzaOff
\bar "|"
2.
}
{
2.
2.*14/3\fermata
2.
}
>>
%%%%%%%%%%%%%%%%%%
How about that?
Best, Simon
On 13.04.2018 23:40, David Sumbler wrote:
The piece I am setting has a flute cadenza which is notated in standard
size notes totalling 14 crotchets (quarter-notes) in length. The whole
cadenza is written between 2 successive barlines.
The prevailing time signature at this point is 6/8, and in the cadenza
all of the other instruments have a tied dotted minim with a fermata.
I have been trying to reproduce this layout in LilyPond, using
v.2.19.81. I tried \cadenzaOn etc., but that did not seem suitable. I
then tried to adapt the snippet found at
http://lsr.di.unimi.it/LSR/Item?id=836 . Using this, the cadenza bar
itself works OK, but in subsequent bars Lilypond seems to think that
the time signature is 4/4.
I conclude that the line '\unset Timing.measureLength' restores
measureLength to its default value, rather than restoring the previous
value. I tried removing that line and adding '\once ' before
'\set Timing.measureLength', but this fails completely.
I have now replaced the line
\unset Timing.measureLength
with
\set Timing.measureLength = #(ly:make-moment 3/4)
This works fine, but how would I get a more general solution which
could be used in cases which are not in 6/8 or 3/4?
David
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
_______________________________________________
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user