The following might be the tidiest solution (i.e. just remove the number
and brace). Other opinions welcome!
\transpose f g { \relative c'{
<<
{ r2 r4 \tuplet 3/2 { c8-. f-. c'-. } f4 r r2 }
\\
{ r2 \tuplet 3/2 { f,8-. c-. f-. }
\omit TupletBracket \omit TupletNumber \tuplet 3/2 { c8-. r4 }
R1 }>> } }
[image: image.png]
On Fri, 4 May 2018 at 14:33 Chris Yate <[email protected]> wrote:
> Hi guys,
>
> This passage is a little tricky to write tidily on one staff, and I might
> change the way this is done. But the placing of the lower tuplet bracket
> (covereing the quaver and crotchet rest) doesn't seem to help...
>
> \transpose f g { \relative c'{
> <<
> { r2 r4 \tuplet 3/2 { c8-. f-. c'-. } f4 r r2 }
> \\
> { r2 \tuplet 3/2 { f,8-. c-. f-. } \tuplet 3/2 { c8-. r4 } R1 }
> >>
> } }
>
> A few questions
>
> 1) Is the spacing of the bracket in the 2nd voice (a) as intended (b)
> optimal / correct?
> 1c) Is there a neat workaround to extend the bracket to cover the width of
> the notes in the first voice?
>
> 2) If I write this as two staves, I only want that in the *parts* not the
> score. How would you achieve that with the minimum of code repetition?
> (However it's eventually set, I would rather only have *one* instance of
> the notes in my 'music.ily').
>
> Chris
>
>
> [image: Capture.PNG]
>
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