On 2018-09-04 21:13, Edmundo Carmona Antoranz wrote:
I'm writing the score with flute/piano parts and when reaching 2 bars
before Moderato, the flute part has what I think is a cadenza while
the piano part has perfect measures to complete it (rest with
fermata).
It is not a cadenza, per se, but rather an omission of tuplet numbering.
The piece seems to omit tuplet numbering in nearly all cases, rather
relying solely on beaming groups to indicate the timing.
So the eight "sixteenth" notes that follow the initial quarter are to be
mapped onto the first crotchet rest and the subsequent six "eighth"
notes are to be mapped onto the second crotchet rest. Something like
this, perhaps:
%%%%
\version "2.19.82"
flute = \relative bes''' {
\stemDown
bes4 \fermata ~ \(
\omit TupletNumber
\tuplet 8/4 { bes16 g e cis ais g e cis }
\tuplet 6/2 { ais8 \) <e e'> ^\( <fis fis'>
\acciaccatura <a a'> <g g'> <dis dis'> <e e'> \) } |
<b b'>2. \fermata
}
\score { << \new Voice { \key c \minor \time 3/4 \flute } >> }
%%%%
-- Aaron Hill
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