On 4 Oct 2018, at 10:09, Jacques Menu wrote:
> Hello folks,
>
> I’ve found this in Charpentier’s Te Deum, as engraved by the Centre de
> Musique Baroque de Versailles, which I had never seen before:
>
> <3-2 unusual writing.png>
>
> It’s quite readable indeed, maybe more than using the modern notation with
> quarters, and I’ve wondered if there a way to obtain that with Lily.
>
> Thanks for your help!
>
> JM
Jacques, does this help?
The code works for your example, but it would need a bit of work to generalise
it.
\version "2.19.82"
whiteheads = #(define-music-function (music) (ly:music?)
#{
\temporary \override NoteHead.stencil = #ly:text-interface::print
\temporary \override NoteHead.text = \markup {
\musicglyph "noteheads.s1" }
\omit \time 3/4
\shiftDurations #1 #0 { #music }
\omit \time 3/2
\revert NoteHead.stencil
\revert NoteHead.text
#}
)
{ \clef bass
\key b \minor
\time 3/2
\relative {
d1. |
e1. |
\whiteheads {fis2 b,4 cis d b} |
e1. |
\whiteheads {fis2. gis4 ais2 |
b2 b,4 cis d2 |
e2. d4 cis2} |
}}
kind regards
-- Graham
_______________________________________________
lilypond-user mailing list
[email protected]
https://lists.gnu.org/mailman/listinfo/lilypond-user
