The key change is no problem at all (and an actual improvement since in the first version there was a key signature mismatch at the end of the \repeat), see attached. I can think about a time signature change too if it is of help."Of help" not so much, but it would be add a nice touch to the visuals.
Here's a new version containig some changes from common time to 3/4 and back.
Best Lukas
Quick Brown Fox.pdf
Description: Adobe PDF document
\version "2.19.33"
\paper {
#(define fonts
(set-global-fonts
#:music "lilyjazz"
#:brace "lilyjazz"
#:roman "lilyjazz-text"
#:sans "lilyjazz-chord"
#:factor (/ staff-height pt 20)
))
}
\paper {
indent = 0\mm
system-system-spacing.padding = 5
markup-system-spacing = #'((basic-distance . 23)
(minimum-distance . 8)
(padding . 3))
}
title = "The Quick Brown Fox"
composer = "-Moser"
meter = "(Uptempo ballad)"
realBookTitle = \markup {
\score {
{
\override TextScript.extra-offset = #'(0 . -4.5)
s4
s^\markup {
\fill-line {
\fontsize #1 \lower #1 \rotate #7 \concat { " " #meter }
\fontsize #8
\override #'(offset . 7)
\override #'(thickness . 6)
\underline \sans #title
\fontsize #1 \lower #1 \concat { #composer " " }
}
}
s
}
\layout {
\once \override Staff.Clef.stencil = ##f
\once \override Staff.TimeSignature.stencil = ##f
\once \override Staff.KeySignature.stencil = ##f
ragged-right = ##f
% \override TextScript.font-name = #"Pea Missy with a Marker"
}
}
}
\header {
title = \realBookTitle
tagline = ##f
}
theNotes = \relative c' {
\set Staff.midiInstrument = "flute"
\key f \major
% \showStartRepeatBar
\partial 8
c8
\bar "[|:"
\repeat volta 2 {
a'4 r g r
\time 3/4
f4 bes2
\time 4/4
\tuplet 3/2 { a4 g f } g4 a8 a~
a2~ 8 es4 d8
bes'4 r \tuplet 3/2 { d( c) bes }
a8 g~ g2 f4
a1
\time 3/4
b2 e,4
\time 4/4
\bar "||"
\key a \major
cis'2 e
b4. e8~ e4 e,
a2 cis
gis4. cis8~ 2
fis,2 gis4 a8 b~
b a4. gis4 a
e1~
\time 3/4
2 4
\time 4/4
cis'2 e4. fis8~
4 e2 e,4
fis2 a4. b8~
4 a2.
\bar "||"
\key f \major
d,2 e4( f)
g4 f es des
a'2.( c4~
\time 3/4
c4.) d,4 c8
\bar ":|]"
}
}
theChords = \chordmode {
s8
f2 a:7 |
bes4:maj7 g2:m7.5- |
bes2:maj7/c c:9 |
es:11+ d:7.9- |
g1:m7 |
bes:m6 |
b:m7 |
e2.:9 |
a1 |
e/gis |
fis:m |
cis2:m/e a:9 |
d2:maj7.9 d:6 |
dis1:dim7 |
e:sus4.7 |
e2.:7 |
a1 |
cis:m7.5- |
d |
d:m6/f |
bes:maj7 |
g:m7.5- |
f/c |
bes2/c c4:7 |
}
theWords = \lyricmode {
The quick brown fox jumps
o -- ver the la -- zy dog __
while the five box -- ing wi -- zards
jump quick -- ly,
oh Sphinx of black quartz,
oh Sphinx of black quartz,
dear Sphinx of black __ quartz judge my vow, __
oh Sphinx of black quartz,
my Sphinx of black quartz,
Sphinx of __ black quartz judge my vow. __
'cause the
}
\score {
<<
\new ChordNames \theChords
\new Voice = vocalVoice \theNotes
\new Lyrics \lyricsto vocalVoice \theWords
>>
\layout {
% make only the first clef visible
% \override Score.Clef #'break-visibility = #'#(#f #f #f)
% make only the first time signature visible
% \override Score.KeySignature #'break-visibility = #'#(#f #f #f)
% allow single-staff system bars
% \override Score.SystemStartBar #'collapse-height = #1
% set lyric hyphens thickness
\override LyricHyphen.thickness = #4
% set score volta bracket font
% \override Score.VoltaBracket.font-name = #"Pea Missy with a Marker"
}
\midi {
\tempo 2 = 64
}
}
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