[Please keep the cc to the lilypond-user list, so that others can follow.] LilyPond can only handle ETs in the MIDI output, and E53 is a close approximation of 5-limit Just Intonation, and also of the tuning Turkish makam departs from, so you get that by what I posted.
> On 23 Nov 2019, at 10:23, kupirijo wikipedian <[email protected]> > wrote: > > Thank you Hans, > > I will try it out although my question was about Helmholtz-Ellis Just > Intonation, so I am not sure what E53 stands for. > > I will let you know soon > > kupirijo > > Στις Παρ, 22 Νοε 2019 στις 7:56 μ.μ., ο/η Hans Åberg <[email protected]> > έγραψε: > > > On 22 Nov 2019, at 09:24, kupirijo wikipedian > > <[email protected]> wrote: > > > > I would like to be able to write notes in Pythagorean tuning with sharps > > and flats in microtonal notation using microlily without having to write > > e.g. \raise #3/2 B to get an F# > … > > Please note that I am using the documentation notes written at > > http://x31eq.com/lilypond/ > > Attaching files that demonstrate the intended use. Just typeset > regularE53test.ly with regularE53.ly and regular.ly in the same directory. > > > A more extreme example would be when I would like to notate 2 consecutive > > fifths e.g. F# C# G#, > > It retunes the MIDI file around C4 to E53, which is a close approximation of > Pythagorean tuning. So Pythagorean intervals need no special notation, but Gb > is one comma (E53 tonestep) lower than F#. If you want Just Intonation, then > the major thirds must be lowered and the minor thirds raised a comma. So in C > major that is C D E- F G A- B- C’, which in the file is c d ed f g ad bd c'. >
