Am Di., 7. Jan. 2020 um 22:44 Uhr schrieb Knute Snortum <ksnor...@gmail.com>: > > One way would be to use another voice for the dynamics: > > %%% > \version "2.19" > \language "english" > \score { > << > \new Staff { > << { c'2 a2 c'2 f'2 } \\ { s2^\< s2 s2^\mf\> s4 s4^\p } >> > << { c'2 a2 c'2 f'2 } \\ { s2^\< s2 s2^\mf\> s4 s4^\p } >> > } > \new Staff { > a2^\< f2 a2^\mf^\> c'4( bf) ^\p > a2^\< f2 a2^\mf^\> c'4( bf)^\p > } > \addlyrics { > Al -- le -- lu -- ia > Al -- le -- lu -- ia > } > >> > } > %%% > > --- > Knute Snortum > (via Gmail) > > On Tue, Jan 7, 2020 at 12:53 PM Guy Stalnaker <jimmyg...@gmail.com> wrote: > > > > Hello everyone, > > > > I've written a choral work. There are some places in the score where I > > have a four-voice choir singing Alleluia on successive half notes. I've > > notated a crescendo hairpin to \mf followed by a decrescendo hairpin to > > \p on the final half note. Some times LP engraves the score such that > > the decrescendo hairpin is clearly visible, but other times the spacing > > between the 3rd and 4th half notes is so minimal that that hairpin is, > > well, useless as a visual symbol. > > > > This MWE shows what I mean. The dynamics for the upper voice show the > > barely visible decrescendo hairpin while the one for the lower voice is > > what's desired. > > > > Ideally I simply (!) need to move/shift the upper voice \p and hairpin > > end one quarter note to the right. Yet how to do that? > > > > %% MWE > > \version "2.19" > > \language "english" > > \score { > > << > > \new Staff { > > c'2^\< a2 c'2^\mf^\> f'2^\p > > c'2^\< a2 c'2^\mf^\> f'2^\p > > } > > \new Staff { > > a2^\< f2 a2^\mf^\> c'4( bf) ^\p > > a2^\< f2 a2^\mf^\> c'4( bf)^\p > > } > > \addlyrics { > > Al -- le -- lu -- ia > > Al -- le -- lu -- ia > > } > > >> > > } > > %%
Or: \language "english" \score { << \new Staff { c'2^\< a2 c'2^\mf^\> <<f'2 { s4 s4^\p }>> c'2^\< a2 c'2^\mf^\> <<f'2 { s4 s4^\p }>> } \new Staff { a2^\< f2 a2^\mf^\> c'4( bf) ^\p a2^\< f2 a2^\mf^\> c'4( bf)^\p } \addlyrics { Al -- le -- lu -- ia Al -- le -- lu -- ia } >> } Cheers, Harm