Arle,
Add these before the b! \once \override Accidental.extra-offset = #'(3 . 0) \once \override NoteColumn.force-hshift = #2.5 Mark From: lilypond-user [mailto:[email protected]] On Behalf Of Arle Lommel Sent: Tuesday, January 14, 2020 2:30 PM To: Lilypond-User Mailing List <[email protected]> Subject: Three short questions from Bartók around fingering, about 90% there Got two more small issues from Bartók. I’m trying to recreate things like this: In the example on the left, he is using the bracket to make it clear that the B♭ and B♮ are played simultaneously with two different fingers. In the example on the right I’ve got a minimum example that comes very close to what I need, but \version "2.19.83" \score { << \new Staff \relative c' { \key c \major << { \once \override NoteColumn.force-hshift = #2.5 b'!16[ cis16 d8] d4 } \\ { \override Fingering.staff-padding = #'() \once \override Fingering.extra-offset = #'(1.3 . 0) bes2^\finger \markup "⎴"^\finger "1"^\finger "2" } >> r2 | \set fingeringOrientations = #'(left) \once \override Fingering.extra-offset = #'(3 . 0.5) \stemUp <fes' ges c \finger "1[" d>8 } >> \layout { } } This yields the following, which is almost right: So here are the questions: 1. For the horizontal bracket it’s too narrow because I’m using a Unicode box character to generate the bracket. Is there a better alternative that will scale properly to encompass the notes? 2. The natural sign is stuck on the wrong side of the B♭. I’ve searched for a while, but I don’t find anything to tell me how to make the natural stick with its note. What do I do here? 3. Is there a better alternative for the bracket in the right example? I had to manually tweak it a bit to get it to look almost, but it still isn’t optimal. I know I could use more complex markup objects to adjust it, but I’m wondering if there is a better way to do this -Arle
