Carl Sorensen <carl.d.soren...@gmail.com> writes: > David, > > This notation will greatly simplify some of the choral music I set in > the past year. I forgot about the discussion on the lists, and so > didn't use it even though it was available. Thanks for making it work > > Aaron, > > I think this is a useful enough wrapper that it should be in the NR > (and/or the LM). I would most likely use it just in sa or tb, since > those are the voices that usually share a staff. This notation might > actually reduce my use of \partcombine. I'll have to try it out.
My personal experience is that \partcombine is mainly useful for piano extracts (or to some degree partitura mashing): boiling down material without much of a view for voice relations. For choral music (and even polyphonic piano music) I tend to prefer fixed voice relations. -- David Kastrup
