Hi Peter!
It seems that the invisible e you add for the ending of the bow is drawn as
a note facing the left side (you can unhide it) which explains the
right-shift of the e2.
If you rearrange it to:
<<
\relative {
b,4.~( 8 c e <b~ e,>4. 4 b,8 |
<e) e,>2. s2.
}
\\
\relative
{
e,2.~ 4.~ 4 s8 |
f'4.\rest
}
>>
this interestingly also seems to solve the other problem.
All the best
Christian
Am Mo., 15. Feb. 2021 um 16:28 Uhr schrieb Peter Toye <[email protected]>:
> I'm trying to set this piece of slightly strange voice writing (see
> attachment).
>
> It obviously needs three voices: one for the lower line (voice 2), one for
> the upper line (voice 1) and a third for the rest at the end.
>
> The closest I've got is below, but this has two problems with the final
> beat:
>
> 1 - The bass octave is shifted right.
> 2 - The rest and its dot are separated.
>
> Playing about with \shiftOff and changing or omitting \VoiceOne have no
> effect. Obviously I'm doing something stupid but can't work out what it is.
>
> Incidentally, neither the Learning nor Notation manuals say how to cancel
> a \hide instruction. I'm a bit surprised to find that there isn't an
> \unhide command!
>
> \version "2.19.83"
>
> \language "english"
>
> {
> \time 12/8
> \clef "bass"
> <<
>
> \relative {
> b,4.~( 8 c e <b~ e,>4. 4 b,8 |
> <<
> \hideNotes e4.)
> \new Voice {
> \voiceOne
> \absolute f4.\rest
> }
> >>
> }
> \\
> \relative
> {
> e,2.~ \hide Stem 4.~ 4 \revert Voice.Stem.transparent s8 |
> <e e,>2. s2.
> }
> >>
> }
>
> Regards,
>
> Peter
> mailto:[email protected] <[email protected]>
> www.ptoye.com
>
