From: lilypond-user <[email protected]>
on behalf of Owen Le Blanc <[email protected]>
Date: Thursday, June 24, 2021 at 8:34 AM
To: "[email protected]" <[email protected]>
Subject: Ties between distant notes
I'm working on setting some music which, in the original, contains many notes
which are tied even though they are not "contingent". So, for example, here is
an image of a bar from the original (note the bass cleff is printed in the
wrong position). There is in this passage an arpeggio tied note by note to the
following chord.
I can of course expand all the ties explicitly, which at least produces the
correct midi file, but I find this less clear to read than the original was:
<<
\new Voice { \voiceOne \relative c''' { \stemUp
a4 g2 ~ g4 | }}
\new Voice { \voiceTwo \relative c'' { \stemDown
< f d b >4 r16 e ~ < e c > ~ < e c g > ~ < e c g >4
~ < e c g >4 | }}
>>
...
< a f d b >4 r \clef bass e16 ~ < e c > ~ < e c a > ~
< e c a g > ~ < e c a g >4 |
In an effort to come closer to the original, I have tried using overlapping
slurs:
<<
\new Voice { \voiceOne \relative c''' { \stemUp
a4 g2 ~ g4 | }}
\new Voice { \voiceTwo \relative c'' { \stemDown \slurUp
< f d b >4 r16 e\=2( c\=1( g( s4 < e' c g >4)\=1)\=2) | }}
>>
This is clearer, but the slurs are all at different angles, whereas the ties
should be horizontal, parallel to each other. So, I would like to ask
(1) How can the slurs be adjusted to be horizontal, as ties would be? and
(2) Is there another way of doing this? I wondered about laissez vibrer, but
it doesn't seem easily to allow adjusting the curves to be the right length.
I'd be grateful for any help.
Yours,
Use tieWaitForNote = ##t
http://lilypond.org/doc/v2.22/Documentation/notation/writing-rhythms#ties
See the snippet “Using ties with arpeggios”.
HTH,
Carl
