mmmm, No I don't think so... The Problem I had, and as far as I know my
other friend that started on the Tin Whistle - was to figure out what
they in the first place was. As the # is so far up on the line - you
never get the connection as you don't get to that note before a lot
later. I think it is pretty good - I will keep it so far :) And see how
things go with it - but your thoughts are noted. But... I think a player
can understand it much more now - some color coding might make it even
better! :P
Why is the key sharp even so high on the staff in the first place? Is
there a point to it beside the maybe visually? If not, we will just
change it all around the world I guess! ;)
Dearly regards
Darkijah
On 2021-06-30 13:52, Michael Hendry wrote:
On 27 Jun 2021, at 02:45, [email protected] wrote:
If I had just payed more attention to your mail, I went for the link
and tried to figure something out. I should could not sort it out and
went for your post again going to complain :P And there the solution
was in the first place, LOL :D
I just could not sort the it out with the things I was trying,
apparently I never got to the thing, as it was mixed up with so much
else. Anyway, it now finally works!!! Put it in the layout block and
it works wonderful! Another one nailed down. I'm pretty happy with the
result.
THANKS!
Makes much more sense to have it down there, when you use the flute
and begin to play it - took me so much time to understand what it
really was - but now it makes much more sense being on the line of the
standard F# line that is normally used for the Tin Whistle.
Dearly regards
- Darkijah
I’m a bit late to this discussion, but wouldn’t it be better to leave
the key signature with the sharp sign at the top of the staff and use
a cautionary accidental (e.g. fis?) each time the f sharp appears at
the bottom of the staff.
This would mean that your pupil could learn to recognise the key
signature in its conventional format, but would get a reminder to play
f sharp.
Regards,
Michael
