Hello Aaron, It depends a bit on how structured your music is. If you’ve got two Voices it is reasonable to give both their own relative clause.
If you music does not have a lot of complex structure a top level relative is very much find. Problematic are cases where notes within the music might change, thus affecting stuff after it. This might be the case with tags, but also with cues or scores in footnotes (where also someone might think about adding something, and suddenly the main music body has problems. But these cases can be simply dealt with by enclosing them in an \absolute statement or even in another \relative statement. Lilypond will then simply ignore these parts for the outer relative music. Cheers, Valentin
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