Obviously, all three options below produce identical output. (And
also, I know that `\sectionLabel` does not need to be attached to a
`\section`.)
But is there a notion of which generally best represents the way music
is divided, clearer to the next reader of my code than the other
choices?
—Joel
\version "2.23.80"
% I. `\section` outside parts
SectA_I = {
\sectionLabel "Section A"
c' d' e' f'
}
SectB_I = {
\sectionLabel "Section B"
f' e' d' c'
}
I = {
\SectA_I \section
\SectB_I \fine
}
\score { \I }
% II. `\section` at parts’ end
SectA_II = {
\sectionLabel "Section A"
c' d' e' f'
\section
}
SectB_II = {
\sectionLabel "Section B"
f' e' d' c'
\section
}
II = {
\SectA_II
\SectB_II
\fine
}
\score { \II }
% III. `\section` at parts’ start
SectA_III = {
\section
\sectionLabel "Section A"
c' d' e' f'
}
SectB_III = {
\section
\sectionLabel "Section B"
f' e' d' c'
}
III = {
\SectA_III
\SectB_III
\fine
}
\score { \III }