Thanks, everyone, for your contributions. First of all Jean. Your code gives me exactly what I wanted. I haven’t learned to use the internals, but see here that it’s useful.
> Not sure, but my guess is that LilyPond might be trying to make different > measures have not-too-distant lengths. This is just a guess; ... I am skeptical. There’s no separate measure there. When I move the setting of the measure position to later in the bar, I still get the same space (but then not the measure number, 5, on the 2nd line, which makes sense). So still curious. @Mark > Under 2.22 I do not get extra space. That’s still more curious. On 2.22.2 I get a warning that the break is overwritten by another event, so we don’t get the line break that I had specified and wanted. @Ralph Palmer, you may have forgot to put content into your message? At least none arrived here. Best, Ole Sent with Proton Mail secure email. ------- Original Message ------- On Saturday, January 28th, 2023 at 00:09, Jean Abou Samra <[email protected]> wrote: > On 27/01/2023 22:35, Ole V. Villumsen wrote: > > > Hi, I am typesetting a movement with a repeat and a clef change right after > > the repeat. I have a suitable line break where the repeat ends and the clef > > change happens. Default Lilypond sets the new clef within the repeat, > > before the end-repeat sign, which I don’t want and find meaningless in my > > case since there is no clef change when repeating from the beginning, only > > when continuing after the repeated section. Instead I want the clef after > > the end-repeat and before the line break. I can do that by setting the clef > > change off from the repeated section by a small space. Only the space comes > > out much larger than expected. > > > > Tiny example: > > > > \version "2.24.0" > > > > \relative c' { > > \repeat volta 2 { > > g'4 4 4 4 | 4 4 4 4 | 4 4 4 4 | 4 4 4 8 8 | > > } > > s1024 > > \clef bass > > \break > > \set Timing.measurePosition = #(ly:make-moment 0/4) > > c,,4 4 4 4 | 4 4 4 4 | 4 4 4 4 | 4 4 4 4 | > > } > > > > I enclose the output as png. My 1024th spacer rest is broader than the two > > preceding quavers (8th notes) combined. > > > > * Curious question: why is that? > > > > Not sure, but my guess is that LilyPond might be trying to make different > measures have not-too-distant lengths. This is just a guess; I didn't try > to investigate, because: > > > * Constructive question: how to avoid it? > > > > Don't use a spacer rest in the first place. See below. > > > * Real question: How do I set the clef nicely immediately> after the > > end-repeat with minimal space between? > > > > Use > > \version "2.24.0" > > \relative c' { > \repeat volta 2 { > g'4 4 4 4 | 4 4 4 4 | 4 4 4 4 | 4 4 4 8 8 | > } > \once \override Score.BreakAlignment.break-align-orders = > ##((left-edge staff-ellipsis cue-end-clef ambitus breathing-sign > signum-repetitionis cue-clef staff-bar clef key-cancellation key-signature > time-signature custos) > (left-edge staff-ellipsis cue-end-clef ambitus breathing-sign > signum-repetitionis clef cue-clef staff-bar key-cancellation key-signature > time-signature custos) > (left-edge staff-ellipsis ambitus breathing-sign signum-repetitionis clef > key-cancellation key-signature time-signature staff-bar cue-clef custos)) > \clef bass > \break > c,,4 4 4 4 | 4 4 4 4 | 4 4 4 4 | 4 4 4 4 | > } > > > > I just took the default on > https://lilypond.org/doc/v2.24/Documentation/internals/breakalignment > and moved "clef" after "staff-bar" in the first list. > > Best, > Jean
