Resending this reply with further compressed pngs, as it was rejected for size.
Hello Lukas,
quite nice to see how much MuseScore has improved (although I dislike the
direction they are going in overall terms of usability).
We see here though that optical correction for such kneed Beams is much better
with Lilypond. One other thing we see here is how Lilypond tends to spread
short notes if Accidentals are involvend, which in my opinion makes things
hard to read. If you look at hand engraved scores you will often see such
accidentals packed in so that the short note values can be spaced quite close
to each other.
Here is a comparison with the quintuplet and the septuplet (which I personally
would notate as 32th notes) having the accidentals packed in quite tightly. In
my opinion (even if it is a bit uneven) this is easier for the eye to parse,
even though the measureable difference is quite small.
\version "2.25.4"
\language deutsch
\layout {
\accidentalStyle modern
indent = 0
\omit Score.TimeSignature
}
% https://twitter.com/spagnolo_mic/status/1648702871112671232
packedAccidentals = {
\temporary\override Accidental.extra-spacing-width = #'(0.02 . 0)
\temporary\offset X-offset #0.25 Accidental
}
unpackedAccidentals = {
\revert Accidental.extra-spacing-width
\revert Accidental.X-offset
}
mus = \new PianoStaff
<<
\new Staff = up
\relative {
\textMark "LilyPond Master, 2023/04/19"
\tag #'versionB \packedAccidentals
\tuplet 5/4 { d''16 cis d' gis h, }
\tag #'versionB \unpackedAccidentals
c8 g
\tuplet 3/2 { f4 a, b }
|
a16 f h f
\tag #'versionB \packedAccidentals
\tuplet 7/4 { g! cis dis e fis e gis }
\tag #'versionB \unpackedAccidentals
\stemDown
a32 \change Staff = down \once\voiceOne f,, \change Staff = up h'16 g a
\stemNeutral
\tuplet 3/2 { e8 f g }
|
}
\new Staff = down \with { \clef bass }
\relative {
a16 f g c
\tuplet 3/2 { e8 h a }
d16 h a f
\tuplet 5/4 { c16 e f g f }
|
e8 d
c16 h a g
\voiceTwo
\tuplet 3/2 { a4 d c }
}
>>
\score {
\removeWithTag #'versionB \mus
}
\score {
\mus
}
Cheers,
Valentin
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