HI. Thanks everyone for the replies and I'm sorry if my files were long
but it was just to show how I set everything up. Kieren's solution is
not optimal because it is not related to the final note of the
glissando. The others are interesting and I will keep you updated. Thank
you very much and sorry for not responding faster.
Mario
Il 28/04/23 12:55, Paul Hodges ha scritto:
I guess we all have different styles. While I often do the hidden
notes thing, another approach I find useful at times is to put notes
into the same voice when they really aren't...
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.25.1"
\language "english"
<<
\new Staff = "upper" <<
\key e \minor
\new Voice \relative fs'' { \voiceOne fs2 s4 e8 fs g2. fs4 }
\new Voice \relative fs' { \voiceTwo fs2
\voiceOne ds'4*2/1 \glissando
\voiceTwo b4 a b a }
>>
\new Staff = "lower" <<
\key e \minor
\new Voice \relative ds' { \voiceOne ds8 e ds cs \voiceTwo b a g fs
e1 }
\new Voice \relative b { \voiceTwo b2
\change Staff = "upper" fs'2 \glissando
\change Staff = "lower" \voiceOne e2 g4 fs }
>>
>>
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
Paul
*From: * Leo Correia de Verdier <[email protected]>
*To: * Mario Moles <[email protected]>
*Cc: * <[email protected]>
*Sent: * 28/04/2023 10:49
*Subject: * Re: Glissando intervoices
Hi Mario!
Like Kieren, I thought you were satisfied with the answers you
got, since you did not send any MWE. Anyway, here is how I would
code the passage you sent in the first mail:
%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.25.1"
<<
\new Staff = "upper" <<
\key e \minor
\new Voice \relative fis'' { \voiceOne fis2 dis4 e8 fis
g2. fis4 }
\new Voice \relative dis'' { \voiceTwo s2 \hideNotes dis4
\glissando s4
\unHideNotes b4 a b a}
\new Voice \relative fis' { \voiceTwo
fis2 fis \glissando
% Here you could use
\showStaffSwitch instead of \glissando
\change Staff = "lower" \voiceOne
e g4 fis }
>>
\new Staff = "lower" <<
\new Voice \relative dis' { \voiceOne dis8 e dis cis \voiceTwo
b a g fis e1 }
\new Voice { \voiceTwo b2 }
>>
>>
%%%%%%%%%%%%%%%%%%%%%%%%
It’s a bit messy, but with complex voice structures I usually end
up there…
In a real world situation you will, depending on what the music
looks like either have to create parallel structures and new
voices on the fly as they appear or keep empty voices ”alive” with
spacer rests.
I think the staff switch line actually looks better than the
glissando, but they look different, so I’d stick with the glissando.
Developing team: Could something like this (this is not the first
time I see this kind of notation) be a reason for a mechanism
allowing to create VoiceFollowers within one staff? Unless it
already exists and I’m just unaware of it.
HTH
/Leo
> 27 apr. 2023 kl. 23:54 skrev Mario Moles <[email protected]>:
>
> No idea? From no one? Ok! Thank you!
>
> Il 26/04/23 01:13, Mario Moles ha scritto:
>> I apologize because I explained myself badly. I use the
glissando to indicate the sliding of the same finger of the left
hand on the same string of the guitar. The blue lines I drew with
Gwenview. The score posted as an example is a transcription of a
"passemezzo" by VIncenzo Galilei for Renaissance lute. I
transcribed on two staves for greater clarity of what I think is
the polyphony of the piece. I am attaching the two files as an
example. The "gui.ly" file is a general configuration file for my
scores. Thank you!
>>
>> Il 25/04/23 12:57, Andrew Bernard ha scritto:
>>> My thoughts exactly, for musical reasons. The lower is not a
gliss in my opinion, but a voice follower. And I agree with Jean
regarding the top one also. I think that's also an indicator of
voice leading. But musicians can follow this sort of score without
help. I'd leave them out. Ant way, just see the NR re voice
follower if you want.
>>>
>>> Andrew
>>>
