Hi Hans, your video shows a very cool technique! That's not quite what I'm after. There is a somewhat established notational convention which follows the image I supplied in my last email. See Carin Levine's "Die Spieltechnik der Flöte" on pages 43-44 of the bilingual edition. Not every composer uses the notation *precisely* the same. Sometimes, as you describe, the auxiliary note is what is changing, but in some instances the composer means for the performer to randomly combine alternations of any of the pitches in a trill-like manner. There is an example on the first page if this score: https://www.youtube.com/watch?v=KQVeOp12_E4
regards, GR On Mon, Jul 10, 2023 at 9:25 AM Hans Åberg <[email protected]> wrote: > > > On 9 Jul 2023, at 14:16, Gregory Evans <[email protected]> > wrote: > > > > I was wondering if anyone has a technique for trills with more than one > trill pitch. > > What musical effect do you want to describe? A trill where the auxiliary > changes, as in this example? > > https://www.youtube.com/watch?v=h85k-rdiREk > > > -- gregory rowland evans http://www.gregoryrowlandevans.com https://github.com/GregoryREvans https://soundcloud.com/gregory-rowland-evans
