Yes, playing with different combinations of ##f (an idea I've never thought about) and different values seems to do the trick. Thanks, Leo.
El vie, 14 jun 2024 a las 12:27, Leo Correia de Verdier (< [email protected]>) escribió: > Setting > \override Score.RehearsalMark.outside-staff-priority = ##f > could perhaps also be an option. > > > 13 juni 2024 kl. 16:49 skrev Federico Sarudiansky <[email protected]>: > > > > Hi again, Kieren! > > > > Excellent! However I wonder if there is a more general approach. > Something «allowing» the slurs not taking the rehearsal marks into > consideration when defining its shape parameters. > > > > All the best! > > > > F. > > > > El jue, 13 jun 2024 a las 11:28, Kieren MacMillan (< > [email protected]>) escribió: > > Hi Federico, > > > > > How can I overlap the perfect tie (slur) in A with the mark position > in B and C so to use the .whiteout and .layer properties to put the > slur/tie behind the mark and save some vertical space? > > > > Maybe something like this…? > > > > %%% SNIPPET BEGINS > > \version "2.25.11" > > > > \relative c''' { > > g1~ \mark \default g1 > > g1~ \tweak extra-offset #'(-0.25 . -1.5) \tweak whiteout #2 \mark > \default g1 > > g1( \tweak extra-offset #'(-0.25 . -1.5) \tweak whiteout #2 \mark > \default e1 ) > > } > > %%% SNIPPET ENDS > > > > Hope that helps! > > Kieren. > > ______________________________________________ > > > > My work day may look different than your work day. Please do not feel > obligated to read or respond to this email outside of your normal working > hours. > > > >
