Gabriel Ellsworth wrote: > Werner LEMBERG wrote: > >> Does this style exist somewhere in real-world music, or is > > this your ad-hoc design? >> > I am pretty sure that I have seen this style (or something very close to > it) printed in a published modern edition of a piece of choral music. Off > the top of my head, I cannot recall what piece that was. If I track it > down, I will let you know. >
Below is a relevant example from real music. The musical context: The key signature has five sharps. Then, there is a system break with a key-signature change to five flats. [image: image.png] [image: image.png] The parenthesized B-flat note head is not actually a custos note; it is not referring to the note that follows after the system break. But its style is very close to the style for modern custodes that I have in mind, so I think it is a useful example. Does anyone else on this list have a published example to share? >
