Trevor - Thought you might like to see what v 2.4.6 does with your snippet. Lyrics seem to be handled OK, but note the overlap of the piano in bars 8 and 10.
- Bruce
-----Original Message-----
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Trevor Baca
Sent: Monday, August 01, 2005 7:04 PM
To: lilypond-user Mailinglist
Subject: Yet another vertical spacing question
Anyone have any idea what's going on with the space between the voice and
the piano staves in the opening of this bit of Mozart?
Clearly the first system is using the spacing of the *second* system, which
looks kinda insane given that the second system has 3 stanzas while the
first system has none.
Also odd is that the end of the song (not include in the already long
snippet) ends as it began: with piano only, no lyrics. For the the ending --
but not, alas, the beginning -- Lily catches the absence of lyrics and
pushes the voice staff right down to where it should be, above the piano
without such a gap.
Trevor.
%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%
\version "2.7.0"
\include "english.ly"
#(set-default-paper-size "letter" 'portrait)
% soprano
mAAA = {
\clef treble
\key bf \major
\time 2/4
R2 | %1
R2 | %2
R2 | %3
R2 \break | %4
\bar "|:" f''4. \appoggiatura ef''16 d''8 | %5
\appoggiatura c''8 bf'4 r8 bf'8 | %6
bf'8( ef''4) g'8 | %7
g'8 f'8 r4 | %8
f'4. bf'8 | %9
bf'4( a'8) bf'8 | %10
}
mAAB = \lyricmode {
\set stanza = "1. "
Kom -- met | her, ihr | fre -- chen | Sün -- der, |
seht den | Hei -- land |
}
mAAC = \lyricmode {
\set stanza = "2. "
Kom -- met, | seht Ma -- | ri -- am | e -- ben |
an dem | Fuss __ des |
}
mAAD = \lyricmode {
\set stanza = "3. "
Dan -- ket | nun für | sol -- che | Lie -- be, |
so der | Mut -- ter |
}
% piano rh
mABA = {
\clef treble
\key bf \major
\time 2/4
\once \override DynamicText #'extra-offset = #'(0 . 1.5)
f''8.^\fp( bf''16) f''4 ~ | %1
f''8[ f''8\staccato f''8\staccato f''8\staccato] | %2
\once \override DynamicText #'extra-offset = #'(0 . 0.5)
c'''8.^\fp( a''16) f''4 ~ | %3
f''8 g''16 f''16 \appoggiatura f''16 ef''8 d''16 c''16 | %4
<d' bf'>4 r4 | %5
r8 <d' f'>8( <ef' g'>8 <f' af'>8) | %6
<ef' g'>8 <ef' g'>8 r8 <ef' g'>8 | %7
r8 <<
\new Voice {\voiceOne f'4 f'8 | %8
f'4. bf'8 | %9
bf'4( a'8) bf'8 \oneVoice}
\new Voice {\voiceTwo bf16.( c'32 d'16.[ bf32 ef'16. c'32]) | %8
bf4 ~ <bf d'>8 <d' f'>8 | %9
r8 d'8([ c'8 bf8]) \oneVoice}
>> | %10
}
% piano lh
mABB = {
\clef bass
\key bf \major
\time 2/4
bf,8\f
\override DynamicText #'extra-offset = #'(0.0 . 1.0)
<bf d'>8[^\fp( <d' f'>8 <c' ef'>] | %1
<bf d'>8^\p)
\revert DynamicText #'extra-offset
r8 \clef treble <bf d' bf'>8 r8 \clef bass | %2
f,8\f
\override DynamicText #'extra-offset = #'(0.0 . 1.0)
<a c'>8[^\fp( <c' ef'>8 <bf d'>] | %3
<a c'>8^\p)
\revert DynamicText #'extra-offset
r8 <f a ef'>8 r8 | %4
<bf, bf>4 r4 | %5
<bf, bf>2 ~ | %6
<bf, bf>8 bf8[ bf,8 bf8] | %7
\voiceOne <<
{r8 d8[( f8 a8)]}
\new Voice {\voiceTwo bf,4.( c8) \oneVoice}
>> \oneVoice | %8
d8[ f8 d8 bf8] | %9
\voiceOne <<
{f4( ef8 d8)}
\new Voice {\voiceTwo {f,2} \oneVoice}
>> \oneVoice | %10
}
\header {
title = "Kommet her, ihr frechen Sünder"
composer = \markup \override #'(baseline-skip . 2.5) \column
{\center-align {"W. A. Mozart" "K. 146 (1779)"}} }
\score {
<<
\new Staff <<
\set Staff.instrument = \markup \huge \bold {"Voice" \hspace #1 ""}
\context Voice = "soprano" {\mAAA}
\lyricsto "soprano" \new Lyrics \mAAB
\lyricsto "soprano" \new Lyrics \mAAC
\lyricsto "soprano" \new Lyrics \mAAD
>>
\new PianoStaff <<
\set PianoStaff.instrument = \markup \huge \bold {"Piano" \hspace
#1 ""}
\new Staff \mABA
\new Staff \mABB
>>
>>
}
%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%
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