Hi, I would like to illustrate a problem regarding the Rehearsal Marks in
scores.
Here, I have two seperate parts ( soprano2.ly and bass2.ly ) which I
intend to combine into a full score ( exultate2.ly ). In the seperate parts,
I lengthened the distance between the rehearsal mark (Recitativo) and the
staves. Of course, this works with the \override Score.Rehearsal #'padding =
#(number) function in each of the parts. The problem crops up when I combine
the parts in a score. Here the Rehearsal Mark's position is in its original
unchanged position, which is unaffected the \override command. I tried
putting the \override RehearsalMark command in the layout block as shown in
the file, but it doesn't seem to work. What is wrong here? I tried putting
it in different positions but the outcome (or the lack of ) is frustrating
2. Is there a marked difference between a stable and a development version
of Lilypond? This is because I'm now using version 2.6.3 and I intend to use
2.7.x for its extended support for figured bass. Can I use the development
version for my computer that is using Windows 98? Would I need to use
convert-ly since I see no major syntax change and I just need to change the
version number of the .ly files.
I can upload the pdf files if you would like to but the upload rate on my
dial up is crap though.
Thank you.
Yours sincerely,
Seng Liang.
P.S. As I live in Malaysia, can I join the mailing list?
\version "2.6.3"
\header {
title = "Exsultate Jubilate"
subtitle = "Motet for Soprano and Orchestra"
piece = "Second Movement"
instrument ="Organ"
composer = \markup \center-align { "Wolfgang Amadeus Mozart" \small "(1756-1791)" } }
bass = <<
\relative {
\set Staff.instrument ="Organ"
\key d \major
\time 4/4 \set Staff.midiInstrument = "orchestral strings"
\clef bass \override Score.RehearsalMark #'padding = #1.0
\mark \markup { \bold Recitativo }
cis,1~cis d \break fis g dis2 e~ \break e fis~fis1~fis \break g~g r4 a d,2 \bar".|." }
\context FiguredBass \figuremode { <[6]>1 <_> <_> <[5! 6]> <_> <[6]>2 <_>1 <[6]>2 <_>1 <[5! 6]>1
<_> <[2 4+]> <_>4 <[3 5]>4 } >>
\version "2.6.3"
\include "soprano2.ly"
\include "bass2.ly"
\header { title = "Exsultate Jubilate"
subtitle = "Motet for Soprano and Orchestra"
piece = "Second Movement"
composer = \markup \center-align { "Wolfgang Amadeus Mozart" \small "(1756-1791)" } }
\layout { \context {
\override RehearsalMark #'padding = #3 } }
\score {
\relative
\new ChoirStaff <<
\new Voice << \soprano >>
\new Staff << \bass >>
>>
}
\version "2.6.3"
\header {
title = "Exsultate Jubilate"
subtitle = "Motet for Soprano and Orchestra"
piece = "Second Movement"
instrument = "Soprano"
composer = \markup \center-align { "Wolfgang Amadeus Mozart" \small "(1756-1791)" } }
soprano =
\relative c' {
\set Staff.instrument="Soprano"
\clef treble
\key d \major
\time 4/4 \set Staff.midiInstrument = "synth voice"
\autoBeamOff \override Score.RehearsalMark #'padding = #2.0
\mark \markup { \bold Recitativo }
e'8 a, r16 a a cis a8 a r8 a16 b cis8 cis r8 e16 e g,8 g r8 g16 a fis8 fis r8 a d4 d8
e c c r4 c8 c16 \melisma c \melismaEnd c8 b g g r4 b8. b16 b8 b8
b fis r16 a a g e4 r4 b'8 b16 b b8 e d d r4 d8 d16 d d8 d d8 a r8 a16 b c8 c r8 e c c c d b b r8 b16 b b4 a8 g cis! cis r8
e cis4 cis8 d d a r4 r2 \bar ".|." }
\addlyrics { Ful -- get a -- mi -- ca di -- es, jam fu -- ge -- re et nu -- bi -- la et pro -- cel -- lae, ex -- or -- tus est ju -- stis
in -- exspec -- ta -- ta qui -- es. Un -- di -- que ob -- scu -- ra re -- gna -- bat nox, sur -- gi -- te tan -- dem lae -- ti,
qui ti -- mu -- i -- stis ad -- huc, et ju -- cun -- di au -- ro -- rae for -- tu -- na -- tae fron -- des dex -- te -- ra ple -- na et
li -- li -- a da -- te }
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