Mats Bengtsson wrote:
Sorry, I don't understand the question. As you say yourself, you just
specify the
clef using
\clef tenor
or
\clef bass
or whatever clef you want. You will get exactly the same pitches, printed
according to the clef.
On the other hand, of you want to transpose a part by an octave, for
example,
you can use
\transpose c c' {c d e f g ...}
I couldn't figure it out at first and would have answered as you did,
Mats. But now I am thinking Roman may mean that he is not experienced
enough at tenor clef to be able to quickly enter it into LIly (as well
as sight read it). If that is the case moving the notes up a fifth
(after pretending the tenor clef is bass clef and entering the notes)
would add a sharp to the key signature which would then have to be
removed by hand a note at a time.
This is related to what happens when an Eb saxophone player reads a bass
clef trombone part by changing the clef and the key signature. Every
time s/he sees a B natural which looks like a G natural in treble clef
that note must be read as a G#.
Well at least we've given two possible answers,
Paul Scott
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