I thought I had reduced it (this is NOT my full score--notice no chord
names or chord rhythms). Is this better? Seriously, there isn't much
more I can cut from this.
>> Following the instructions in the manual for getting ossia fragments
>> yielded the results you see in the image. The relevant bits are below.
>> My question is: Is there a way to make these ossia fragments stop where
>> they're supposed to stop, i.e., well before the repeat sign?
>> StaffRiffs = \relative c'
>> {
>> \set Voice.autoBeaming = ##f
>> \key d \major
>> \override Staff.TimeSignature #'style = #'()
>> \time 3/4
>>
>> % Intro
>>
>> d'4 d e8 [ d ] | % 1
>> b4 a2 | % 2
>> d4 d e8 [ fs ] | % 3
>> d2. | % 4
>> \stopStaff
>>
>> s2.*15 | % 5 - 19
>>
>> \startStaff
>> d4 d e8 [ d ] | % 20
>> }
>>
>> \score
>> {
>> <<
>> \new Staff \with
>> {
>> \remove "Time_signature_engraver"
>> \remove "Clef_engraver"
>> %Hmm, removing this screws up the accidental formatting...
>> % \remove "Key_engraver"
>> fontSize = #-3.0
>> \override StaffSymbol #'staff-space = #(magstep -3.0)
>> }
>> \StaffRiffs
>>
>> \new ChoirStaff = "Rhythm"
>> <<
>> \new ChordNames = "chords" \Chords
>> \new RhythmicStaff = "chordRhythm" \StaffC
>> >>
>>
>> \set Score.skipBars = ##t
>> \set Score.melismaBusyProperties = #'()
>> >>
>>
>> \layout
>> {
>> \context { \RemoveEmptyStaffContext }
>> ragged-last = ##t
>> }
>> }
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