\version "2.8.5"

\header
{
	title = "Halsted Street"
	subtitle = "Saxophone Etude - Greg Fishman "
	subsubtitle = "Original Key"
}

% ****************************************************************
% Style / Tempo Definition 
% ****************************************************************
tempoMark =
{
	\once \override Score.RehearsalMark #'extra-offset = #'(-2.0 . 4.0)
	\mark \markup { \small \bold { Swing } }
	\once \override Score.MetronomeMark #'extra-offset = #'(0.0 . 4.0)
	\tempo 4= 208
}

% ****************************************************************
% Segno Mark overide  Definition 
% ****************************************************************
segnoMark =
{
	\once \override Score.RehearsalMark #'self-alignment-X = #right
	\mark \markup { \musicglyph #"scripts.segno" }
}

% ****************************************************************
% Fine Mark Overide Definition 
% ****************************************************************
fineMark =
{
	\once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible	\once \override Score.RehearsalMark #'self-alignment-X = #right \mark "Fine  "
}

boxedA = \mark \markup { \bold \box { A } }
boxedB = \mark \markup { \bold \box { B } }
segnoAndBoxedA = \mark \markup
{
	\override #'(baseline-skip . 5)
	\column
	{
		\musicglyph #"scripts.segno"
		\bold \box { A }
	}
}
desegnoMark =
{
	\once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible	\once \override Score.RehearsalMark #'self-alignment-X = #right \mark \markup { \small \bold "D.S. al Coda"}
}

 codaMark =
{
        \mark \markup { \musicglyph #"scripts.coda" }
}


melody = \relative c''
{
	\clef treble
	\key c \major
	\time 4/4

% Melody - Line 1
	\tempoMark
	\partial 8*3 g8 b8--[ c8-.]|

% Melody - Letter A
	\repeat volta 4
	{
		\boxedA

		r4 r8 \grace dis8 e8( e4) c8[ a8]|
                d!8[ e8 f8 g8] e8[ ees b8 g8] | \break

% Melody - Measure 3 - Line 2
		d'!8[ bes8 a8 g8] c8[ a8 bes8-- g8-.] |
                R1 |
		r8 a8 c8[ d8] ees8[ f8 d8 ees8] | \break

% Melody - Measure 6 - Line 3
                c8[ d8 ees8 f] \times 2/3 {fis8[ g gis]} a8[ fis] |
                g!8--[ e!-.] r4 r2 |
                r8 f8 e[ d] cis[ a b c] | \break

% Melody - Measure 9 - Line 4
                d8[ e f g] a[ f d a]|
                c[ a b d] f[ a aes fis] |
                g[ e d c] f!--[ e-.] r4 | \break

% Melody - Measure 12 - Line 5
                r2 c8[ g b-- c-.]  \bar "||"
% \once \override Score.RehearsalMark #'extra-offset = #'(-0.3 . 0.7)
	\boxedB
          r2 dis8[ e g fis] |
          f![ e d c] b[ fis g a] |
 \break
%          \pageBreak
% Melody - Measure 15 - Line 6
          bes8[ c d f] a[ g f d] |
          bes[ g a g] c[ gis e c] |
          g'[ e f g] a[ c d-- ees-.] |
%          \break
%\overrideProperty
%#"Score.NonMusicalPaperColumn"
%#'line-break-system-details
%#'((alignment-extra-space . 15))

\pageBreak

%Page 2 - Melody - Measure 18 - Line 1
          r8  fis,8( fis2) r4 |
          r8 f'8 fis[ a] g[ e c a] |
          f'![ e16 d] cis8[ e] g[ a bes gis] | \break

%Page 2 - Melody - Measure 21 - Line 2
          a!8--[ f-.] r4 r8 a, ais[ b8] |
          e[ d c a!] b--[ g-.] r4 | \break
          
	}

% Melody - Measure 23
	\alternative
	{
%1st ending
               {{{
		r8  e \times 2/3 {g8[ b d]} cis8[ e g bes] |
                a[ aes g fis] f[ g b c-^] \bar ":|" \break
	       }}}
%2nd ending
        {
                r8  e,, \times 2/3 {g8[ b d]} cis8[ e g bes] |
                a[ aes g fis] f[ g b c-^ ]
\bar ":|" \break
		}
	}
       
}

harmonies = \chordmode
{
	\partial 8*3 r8*3 |
% Letter A (Segno)
        c1:7  | d2:m7 g:7 |
% Measure 3 - Line 2
	c1:7 | g2:m7 c:7 | f1:7 |
% Measure 6 - Line 3
        fis:dim7 | c:7 | a:9-|
% Measure 9 - Line 4
        d:m7  | g2:7 | g2:7/f | e:m7 a:7 |
% Measure 12 - Line 5
        d2:m7 g:7 sus4 | c1:7 | d2:m7 g:7 |
% Measure 15 - Line 6
        g1:m7 | c2:7 |c:7.5+ | f1:7 |
%Page 2 - Measure 18 - Line 1
        fis:dim7 | c:7 | a:7.5+9-|
%Page 2 - Measure 18 - Line 2
        d:m7 | g:7 |
%Page 2 - Measure 21 - Line 3

%Page 2 - Measure 24 - Line 4

%1st. Ending
	e2:m7 a:9- | d2:m7 g4:7 r8 c8:7 |
%2nd. Ending
	e2:m7 a:9- | d2:m7 g4:7 r8 c8:7 |
%2nd. Ending


%Coda

}
%#(set-default-paper-size "a4")
%\paper {
%  #(set-paper-size "a4")
}
\score
{
%	\transpose e b

	<<
		\new ChordNames \harmonies
        \new Staff \melody
%\override Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
	>>

%    <<
%	\new ChordNames {
%	    \set instrument = #"Ignatzek (default)"
%	    \set instr = #"Def"
%	    \chs
%	}
%	
%	\new ChordNames {
%	    \jazzAltProperties
%	    \set instrument = #"Alternative"
%	    \set instr = #"Alt"
%	    \chs
%	}


%>>

	\layout
	{
		\context
		{
			\Score
			skipBars = ##t
			autoBeaming = ##f
			\override MultiMeasureRest #'expand-limit = #1
%		    \override TimeSignature #'style = #'()
			\override Hairpin #'after-line-breaking = ##t
% \override Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
		}
		\context
		{
%\override Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
			\Staff
			voltaOnThisStaff = ##f
		}
		\context
		{
			\ChordNames
			chordChanges = ##t
			\consists "Volta_engraver" 
			voltaOnThisStaff = ##t
			\override VoltaBracket #'extra-offset = #'(0 . -3)
		}
	}

	\midi { \tempo 4=96 }
}