Most music I've seen simply counts the number of physical bars on the
page, ignoring voltae (ie an 8-bar phrase with with two two-bar
alternatives is counted as 10 (6+2+2) bars long).

However, I have seen it counted as being 8 bars long (the second
alternate was ignored for bar-numbering purposes) and as 16 bars long
(ie elapsed bars were counted).

What's frightening is when several conventions are mixed in the same
piece! which is where I've mostly seen the unusual variants.

Cheers,
Wol 

-----Original Message-----
From:
[EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
.org] On Behalf Of Mats Bengtsson
Sent: 07 September 2006 13:52
To: luc
Cc: [email protected]
Subject: Re: correct barnumber after repeat volta

I cannot recall having seen such bar numbering in any printed score
(except for some pieces where some instruments have different music
in the two repeats, so they have the repeat printed out, whereas the
rest
of the instrumental parts were typeset with repeats).

   /Mats

luc wrote:
> I believe it is common practice to add the number of repeated measures
to 
> determine the bar number after the repeat. Lilypond does not.
> What's the reason and is there a workaround for that?
> Thanks
> Luc
>
>
>
> _______________________________________________
> lilypond-user mailing list
> [email protected]
> http://lists.gnu.org/mailman/listinfo/lilypond-user
>   

-- 
=============================================
        Mats Bengtsson
        Signal Processing
        Signals, Sensors and Systems
        Royal Institute of Technology
        SE-100 44  STOCKHOLM
        Sweden
        Phone: (+46) 8 790 8463                         
        Fax:   (+46) 8 790 7260
        Email: [EMAIL PROTECTED]
        WWW: http://www.s3.kth.se/~mabe
=============================================



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