The problem is the alignment (centered or not) of syllables to note heads.
Compare the 2nd and 4th line of lyrics in the following example:
textI = \lyricmode {a4 bb ccc ddd }
textII = \lyricmode {eee fff gg h }
music = \relative c'{c d e f}
\score{
<<
\new Voice = m \music
\new Lyrics \lyricsto m \textI
\new Lyrics \lyricsto m \textII
\new Devnull = dn \music
\new Lyrics \lyricsto dn \textI
\new Lyrics \lyricsto dn \textII
% \new Lyrics \textI
% \new Lyrics \textII
% \new Lyrics {\set associatedVoice = "m" \textI }
% \new Lyrics {\set associatedVoice = "m" \textII }
>>
}
\layout{ragged-right = ##t }
/Mats
Erik Sandberg wrote:
Citerar Ted Walther <[EMAIL PROTECTED]>:
To typeset hymns with the same high quality that lilypond brings to
other areas of music typesetting, I need to be able to use \lyricsto
with \partcombine.
What exactly do you want to do?
If you want to align one lyric line to one voice, and another lyric line to
another voice, then you can do something like:
<<
\partcombine \sopNotes \altoNotes
\new Devnull="sop" \sopNotes
\lyricsto "sop" \sopLyrics
\new Devnull="alto" \altoNotes
\lyricsto "alto" \altoLyrics
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