Citando Tomas Valusek <[EMAIL PROTECTED]>:
> Hello,
>
> in piano music, there are often situations where temporary voices are
> introduced. It's not true polyphony, because the additional voices are
> temporal and are use only to mark prolonged notes. What is the simplest
> way to typeset the example shown in attachement? It was created using
> Lime and I wasn» forced to create additional voices, since Lime allows
> combining different note durations within a single chord. If there were
> no ties, it would be rather straightforward.
>
> Tomas Valusek
>
There are several approaches to that. It is better to use explicit Voice
constructs, I think, for example : \new Voice, \voiceOne, to avoid some further
problems. There is a section in the manual that deals with that "Explicitly
instantiating voices"
However this was the simplest I came up with. And it uses the feature of
partially tieing chords?
\relative c' { << { \stemDown c'16 d e8 ~ \stemUp e4 } \\ { s16 s16 s8 <c g>8
< c g ~ >8 \stemUp g a b c } >> }
Have a good day!
Eduardo
___________________________________________________________________________________
Com o Click21 você tem sempre vantagens! Além do email com 1 Gb, Acelerador,
Blog,
Flog, Games e atendimento 24 horas, voce também pode falar minutos DDD com a
promoção Click 21 Minutos. Quanto mais você navega mais fala DDD.
_______________________________________________
lilypond-user mailing list
[email protected]
http://lists.gnu.org/mailman/listinfo/lilypond-user
