I agree %100 with the addition of accidentals with arrows. However, I also think that both, the standard 1/4 and 3/4 tone signs Lilypond already has and the new ones should both be accessible, and, ideally, within the same "notehead-style". Otherwise combining them in a single score would require one to be changing styles inside the score, which would not be ideal in that case. Since we are into adding new accidental signs, I would also actually like the inclusion of arrows (up and down) not only the stadard accidentals Orm suggests, but also on the 1/4 and 3/4 sharp and flat signs lilypond already has. This would allow for a finer pitch resolution. Here's a png of what i'm thinking. Pay no attention to the style though; this is secondary.
.. ideas? Victor On 1/27/07, Trevor Bača <[EMAIL PROTECTED]> wrote:
On 1/27/07, Orm Finnendahl <[EMAIL PROTECTED]> wrote: > Am 27. Januar 2007, 12:06 Uhr (-0600) schrieb Trevor Bača: > > > > Question: would it be possible to have access to *both* sets of > > glyphs? It seems to me that I've seen both types of glyphs mixed > > together in single scores; usually the existing quartertone glyphs > > show exact quartertone alterations while the arrowed glyphs show > > approximate alterations. > > > > Well, my proposal meant to be completely backwards compatible. I > thought about something similar to the "notehead-style" property like > saying > > \override #'accidental-style = "arrowed" > > for getting the arrowed accidentals and > > \revert #'accidental-style > > for switching back. Ah, OK. I very much vote yes. I've wanted the arrowed glyphs for quite some time and would like to see them as part of the standard distribution. -- Trevor Bača [EMAIL PROTECTED] _______________________________________________ lilypond-user mailing list [email protected] http://lists.gnu.org/mailman/listinfo/lilypond-user
accidentals.png
Description: PNG image
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