Mats:
I removed set stanza and used rehearsal marks instead. Here is an
example:
BEFORE:
allWords = \lyricmode
{
\set stanza = "1" \once \override LyricText #'self-alignment-X =
#LEFT \markup{\raise #2.0 \dynamic f The LORD is King; let the}
people tremble;*
\once \override LyricText #'self-alignment-X = #LEFT \markup
{\raise #2.0 \dynamic mf he is enthroned upon the cherubim;❜}
\markup{\raise #2.0 \dynamic ff let} thē earth shake.
...
AFTER:
allWords = \lyricmode
{
\once \override LyricText #'self-alignment-X = #LEFT \markup{\box 1
\raise #2.0 \dynamic f The LORD is King; let the} people tremble;*
\once \override LyricText #'self-alignment-X = #LEFT \markup{
\raise #2.0 \dynamic mf he is enthroned upon the cherubim;❜}
\markup{\raise #2.0 \dynamic ff let} thē earth shake.
...
This seemed to address the lyric overlap. SO YOU FIXED MY PROBLEM.
Thanks.
However, the box and dynamic align with the first note of the
reciting tone. Can you suggest a way to get the reciting tone to
align with the first word of the text? I tried making a separate
"word" with the box and dynamic in it and inserting a leading s4 or
\skip 4 in the music. But a leading skip in the music only seems to
register when it is associated with a fatText command. I am open to
any suggestions.
On Feb 5, 2007, at 4:07 AM, Mats Bengtsson wrote:
Why not use reheasal marks, see the section on "Rehearsal marks"
for more
details. As you can see there, you can even get automatic numbering.
It might also be possible to make the stanza number allocate space
so it
doesn't collide with the preceding lyrics, but I don't know how to
do that.
Yet another alternative is to insert something like
\once \override Score.SeparationItem #'padding = #1
before each new verse to get some extra space. See the section on
"Horizontal spacing overview" for more info.
/Mats
Fred Leason wrote:
I am using lilypond to write out and point anglican chant for each
Sunday's Psalm setting. This fragment has two Psalm verses but
typically we sing six to 12 verses in various A B patterns. I
want to enter the music once and then repeat it for as many verses
as we need. I borrowed the "divisio*" from gregorian-init.ly. I
include the \set stanza command so we know when to restart during
rehearsal.
Whenever the "cadence" or ending phrase of the chant involves more
than one or two words, the lyrics text overlaps the subsequent
stanza label. Is there a way to override this, or can you
suggest an alternative method of marking the lyrics for rehearsal
without marking the music? I have attached a fragment png file
showing the overlap.
lilypond code:
\version "2.11.13"
divisioMinima = {
\once \override BreathingSign #'stencil = #ly:breathing-
sign::divisio-minima
% Workaround: add padding. Correct fix would be spacing engine
handle this.
\once \override BreathingSign #'extra-X-extent = #'(-1.0 . 0)
\breathe
}
divisioMaior = {
\once \override BreathingSign #'stencil = #ly:breathing-
sign::divisio-maior
\once \override BreathingSign #'Y-offset = #0
% Workaround: add padding. Correct fix would be spacing engine
handle this.
\once \override BreathingSign #'extra-X-extent = #'(-1.0 . 0)
\breathe
}
divisioMaxima = {
\once \override BreathingSign #'stencil = #ly:breathing-
sign::divisio-maxima
\once \override BreathingSign #'Y-offset = #0
% Workaround: add padding. Correct fix would be spacing engine
handle this.
\once \override BreathingSign #'extra-X-extent = #'(-1.0 . 0)
\breathe
}
finalis = {
\once \override BreathingSign #'stencil = #ly:breathing-
sign::finalis
\once \override BreathingSign #'Y-offset = #0
% Workaround: add padding. Correct fix would be spacing engine
handle this.
\once \override BreathingSign #'extra-X-extent = #'(-1.0 . 0)
\breathe
}
#(set-default-paper-size "letter" )
global = {
\key c \major
\set Staff.whichBar = ""
\set Score.timing = ##f
\override Score.RehearsalMark #'break-visibility = #begin-of-
line-invisible
\override Score.PaperColumn #'keep-inside-line = ##t
}
trebMusicA = {
\fatText s4_"A" \noBreak
<e' c'>2 <g' d'>4
\divisioMinima
<b d'>2 <e' cis'>4
\divisioMaxima
}
trebMusicB = {
\fatText s4_"B" \noBreak
<g' e'>2 <c'' f'>4
\divisioMinima
<e' b>2 <g' e' b>4
\finalis \once \override Score.RehearsalMark #'self-
alignment-X = #right \mark "REFRAIN "
}
bassMusicA = {
s4 <a f>2 <a c>4
\divisioMinima
<f a,>2 <a a,>4
\divisioMaxima
} bassMusicB = {
s4 <b c>2 <a d>4
\divisioMinima
<f g,>2 <g c>4
\finalis
} allWords = \lyricmode
{
\set stanza = "8. " \once \override LyricText #'self-alignment-
X = #LEFT "I will listen to what the LORD God is" saying,*
\once \override LyricText #'self-alignment-
X = #LEFT "for he is speaking peace to his faithful people❜ and
to those who turn their" \once \override LyricText #'self-
alignment-X = #LEFT "hearts to him."
\set stanza = "9. " \once \override LyricText #'self-alignment-
X = #LEFT "Truly, his salvation is very near to those who" \once
\override LyricText #'self-alignment-X = #LEFT "fear him,*"
\once \override LyricText #'self-alignment-
X = #LEFT "that his glory may dwell in our" land.
}
\score {
\context ChoirStaff <<
\context Staff = women <<
\context Voice =
women { \oneVoice \global
\trebMusicA
\trebMusicB
}
>>
\context Lyrics = women \lyricsto women \allWords
\context Staff = men <<
\clef bass
\context Voice =
basses { \oneVoice \global
\bassMusicA
\bassMusicB
}
>>
>>
\layout {
indent=0\in
line-width=8\in
%indent = 0.0
packed = ##f
ragged-right = ##t
ragged-last = ##t
barAlways = ##t
\context {
\Staff
\remove "Time_signature_engraver"
\override Stem #'transparent = ##t
}
\context {
\Voice
\override Stem #'length = #0
}
}
}
end lilypond code
collision illustration:
---------------------------------------------------------------------
---
---------------------------------------------------------------------
---
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--
=============================================
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=============================================
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