Hi Benjamin,
First off, I have a situation like this:
\relative c'' {
<< { f8 e ~ <c e> <c e> } \\
{ c4 s4 } >>
}
where I need the c4 tied to the c in the first <c e>—in other words, I
have
a chord where one note needs to be tied to a note in the same voice and
the
other note is tied to a note from a different voice! What's more, I need
an
arpeggio to the left of the first notes (the c and the f). How can I
accomplish this?
For the tie issue, if you create an invisible note in the second voice, you
can fake a tie between the two voices:
wipeNote = {
\once \override NoteHead #'transparent = ##t
\once \override Stem #'transparent = ##t
}
\relative c'' {
<< { f8 e ~ <c e> <c e> } \\
{ c4 ~ \wipeNote c } >>
}
Secondly, I have a similar situation involving polyphony:
\relative c'' {
<< { a8 d } \\
{ e,8 a } >>
}
where the first a8 needs to be tied to the second a.
I can't really help you with this, unless it's possible for the a's to be in
the same voice, i.e.
\relative c'' {
<< { a8 ~ \stemDown a } \\
{ e8 \stemUp d' } >>
}
Finally, I have a grace note situation like this:
\relative c' {
<< { c4 e g r } \\ { s2 s4 s8 \acciaccatura b8 s8 } >>
\acciaccatura b8 c1
}
where I need both grace notes tied to the c1
Using \aftergrace and \grace with an override for the acciaccatura stroke
will allow you to keep this in one voice, which solves the slur problem:
\relative c' {
c4 e g \override Stem #'stroke-style = #"grace"
\afterGrace r b8( \grace b8 \revert Stem #'stroke-style c1)
}
Regards,
Neil
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