Reinhold Kainhofer wrote:
> You can achieve this by using parallel music (i.e. music expressions inside
> << ... >>):
>
> \relative c' {
> c,4.(\p e8 g c d \setTextCresc e)\<
> << {f2(\!} {s4 s4\turn} >> g4 f)
> }
>
> The two expressions in {..} inside the <<..>> will be laid out in parallel.
> The second one contains only quarter skips, where you can assign the turn to
> the second skip. Thus the turn will always appear on the second beat
> correctly.
Ahhh. Neat trick, thank you very much for the suggestion. :-)
It doesn't work absolutely perfectly because the skips do not contribute
to the musical spacing---you can see the difference if instead of s4 you
write e.g. d4. Is there an option to make skips count towards the layout?
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