I hope you have read the section called "Explicitly instantiating voices"
carefully a number of times ;-). Note that \voiceOne and \voiceTwo are
predefined macros that just set a number of properties, i.e. they have
nothing
to do with creating new voices, per se.
The example in the manual, assumes that you yourself have defined \upper and
\lower as commands/macros/identifiers or whatever you want to call them.
/Mats
Charles Gran wrote:
A couple of questions about polyphony:
1. In this excerpt should I use "\new Voice" twice or can I just use
"\voiceTwo" the second time?
2. Could \voiceOne be assumed?
3. \upper and \lower as mentioned in 6.3.4 in the manual aren't
really commands are they.
Charles
\relative c {
\clef bass
\key a \minor
\time 2/2
| r2 e | r f4( d) | ees f g aes | r1 |
r2. << { \voiceOne b,8^\markup { div.} c \oneVoice }
\new Voice { \voiceTwo b8 c } >> |
<< { \voiceOne c1( e) c ~ c e \oneVoice }
\new Voice { \voiceTwo e,1( b') e, ~ e b' } >> }
--
=============================================
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=============================================
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