Dear Rune,
months ago You have been so kind texplain me a very useful scheme-fuction,
which can save a lot of type setting. I used it many times, but now there is
something, I don't understand:
Why does the first snippet work quite well, and the second not? Off course,
it must have to do with the chords, but is there a possibilitie to do it
with the chords?
In the attachment is the slightly modified scheme-code. I call it "motiv.ly"
now.
%%%%%%%% First EXAMPLE %%%%%%%%%%%
\include "motiv.ly"
\motiv #'pausi {c'8 r4 r8 d' r8 d' r e' r4 r8 }
global = { \time 12/8 }
rechts = \relative { \global \pausi {c d e } \pausi { d e f } \pausi { e f
g } }
links = { \global \clef bass c1. b, c }
\version "2.11.47"
\score {
\new PianoStaff = "Klavier"
<<
\new Staff= "rechts" { \rechts }
\new Staff = "links" \with {
\override VerticalAxisGroup #'keep-fixed-while-stretching = ##t }
{ \links} >>
}
%%%%%%% second example %%%%%%%%%%%%%%
\include "motiv.ly"
\motiv #'pausi {<c'8 e g> r4 r8 d' r8 d' r fis' r4 r8 }
global = { \time 12/8 }
rechts = \relative { \global \pausi {<c e g> d fis } }
links = { \global \clef bass c1. }
\version "2.11.47"
\score {
\new PianoStaff = "Klavier"
<<
\new Staff= "rechts" { \rechts }
\new Staff = "links" \with {
\override VerticalAxisGroup #'keep-fixed-while-stretching = ##t }
{ \links} >>
}
%%%%%% end of second example
motiv.ly
Description: Binary data
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