\oneVoice is still your friend, though.
Am 26.07.2008 um 11:14 schrieb Jordan Eldredge:
Thank you.
Firstly, I understand why my method does not work. I guess what I am
asking for is a different method.
Secondly, thanks!
Here is updated example code.
\version "2.10.25"
aVoice = \relative c'' {r4 d4 c <d, bes'> | <c a'> <bes g'> <a d> <c
g'> | <d fis>2 g}
anotherVoice = \relative c'' {s1 | s1 | s2 d,4 bes}
<<{\aVoice} \\ {\anotherVoice}>>
-Jordan Eldredge
On Sat, Jul 26, 2008 at 1:21 AM, Francisco Vila
<[EMAIL PROTECTED]> wrote:
2008/7/26 Jordan Eldredge <[EMAIL PROTECTED]>:
>
> What I want: When there is only once voice, the stems should
behave as such.
> In measures where there are two voices, the stems should be
dependent on
> voice.
Firstly, you see one voice, but two voices exist. So, first voice is
voice One in a polyphony situation, it will always have stems up.
Maybe \oneVoice is your friend.
Secondly: \voiceOne .. \voiceFour are predefined macros, they are
reserved words that may confuse LilyPond (and you). Choose other names
for music variables.
--
Francisco Vila. Badajoz (Spain)
http://www.paconet.org
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