Hi Nick,
I saw that someone else answered the second question about the
b-naturals (just be sure to remove the ! from both voices).
Here's a quick fix for the right-hand fingering that will work for this
example, but it's kind of crude and not overly flexible. To position
individual fingerings in a score you'll need to use something like
\tweak or \once \override with extra-offset instead of an \override
StrokeFinger staff padding like I did here. I always use \tweak and
extra-offset adjustments for very precise placement of fingerings.
I don't know of a way to use the set fingeringorientations without a <>
chord construct. It's a pain but it works very well.
Here's the relevant snippet of code that puts the r.h.fingerings above
the beam. You can adjust the value to suit your preference:
% Treble voice
#(define RH rightHandFinger)
up = \relative c' {
\set fingeringOrientations = #'(left)
\set strokeFingerOrientations = #'(up)
\override StrokeFinger #'staff-padding = #'4.4 % HERE IT IS
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 4/6 {
\override Fingering #'staff-padding = #'()
<c-1-\RH #1 >16 <g'-0-\RH #2 >
<aes'-4-\RH #4 >-> <ees-3-\RH #3 >
<g-2-\RH #4 >-> <g,-0-\RH #2 > c, g' aes'-> ees g-> g, |
% 1
<b,!-1> <g'-0> <aes'-4>-> <d,-3> <g-2>-> <g,-0> b, g' aes'-> d,
g-> g, | % 2
<d-0> <g-0> <g'-3>-> <b,!-0> <f'-1>-> <g,-0> d g g'-> b, f'->
g, | % 3
}
}
Jon
Nick Payne wrote:
I have the following code (it's the first couple of measures of Barrios'
prelude in C minor). Firstly, with the RH fingering, some of the indications
appear above the beam and some below, depending on where on the stave each
note is located. How can I get them to all be above the beam? Secondly, with
the LH fingering, I can only get the orientation to the left of the notehead
to stick by enclosing every note with a fingering indication inside chord
symbols, otherwise the fingering appears above the stems. How do I get the
fingering orientation to default to being to the left of the notehead for
notes that are not chorded?
Also, Lilypond puts a natural symbol against both b naturals in bar 2, when
only the first symbol is required.
\version "2.11.58"
% Treble voice
#(define RH rightHandFinger)
up = \relative c' {
\set fingeringOrientations = #'(left)
\set strokeFingerOrientations = #'(up)
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 4/6 {
\override Fingering #'staff-padding = #'()
<c-1-\RH #1 >16 <g'-0-\RH #2 > <aes'-4-\RH #4 >-> <ees-3-\RH
#3 > <g-2-\RH #4 >-> <g,-0-\RH #2 > c, g' aes'-> ees g-> g, |
<b,!-1> <g'-0> <aes'-4>-> <d,-3> <g-2>-> <g,-0> b,! g'
aes'-> d, g-> g, |
}
}
% Bass voice
down = \relative c' {
c4 c | % 1
b! b! | % 2
}
\score {
{
\clef treble
\key c \minor
\time 2/4
\tempo "Moderato"
\override Staff.NoteCollision #'merge-differently-headed =
##t
\context Staff << \new Voice { \voiceOne \up }
\new Voice { \voiceTwo \down } >>
}
\layout { }
\midi { }
}
Nick
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Jonathan Kulp
http://www.jonathankulp.com
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