Well, I've found that if I reverse the order in which the pitches appear in the chord, the problem is solved. i.e. in bar 6 of the treble voice in my score, if I have
<a-3 cs-4 e> then the fingering indication for A is obscured by the c-sharp accidental, whereas if I have <e cs-4 a-3> then there is no collision between the fingering indication and the accidental. Should there be this sensitivity to the order in which the pitches for the chord appear in the ly file? Nick > -----Original Message----- > From: [EMAIL PROTECTED] > [mailto:[EMAIL PROTECTED] On > Behalf Of Nick Payne > Sent: Tuesday, 11 November 2008 6:06 AM > To: [email protected] > Subject: Accidental hiding fingering indication > > At several places in the attached score, an accidental on a note in a > chord is obscuring a fingering indication for another note in the > chord. The strange thing is that in some places the fingering is > correctly moved to avoid the accidental and in others it isn't. > > e.g. In the lower voice in bars 3 and 9 the fingering on the adjacent > note in the chord is moved to avoid the accidental, whereas in bar 10 > it is not, and in the upper voice the problem happens in bars 6 and 12. > There's also the same problem in bar 11, but I'm guessing that it > happens there because the accidental is in one voice and the fingering > in the other. > > Lilypond 2.11.63 on Vista. > > Nick Payne > > No virus found in this incoming message. > Checked by AVG - http://www.avg.com > Version: 8.0.175 / Virus Database: 270.9.0/1778 - Release Date: > 9/11/2008 2:14 PM _______________________________________________ lilypond-user mailing list [email protected] http://lists.gnu.org/mailman/listinfo/lilypond-user
