1428,1430c1428,1429
< Entering such parts is done by entering each voice as a sequence
< (with @w{@code{@{...@}}}) and combining these simultaneously,
< separating the voices with @code{\\}:
---
> A temporary polyphonic passage can be created with the following
> construct:
1432,1435c1431,1464
< @lilypond[verbatim,quote,relative=2]
< <<
<   { a4 g2 f4~ f4 } \\
<   { r4 g4 f2 f4 }
---
> @example
> << @{ \voiceOne ... @}
>   \new Voice @{ \voiceTwo ... @}
> >> \oneVoice
> @end example
> 
> Here, the first expression within a temporary polyphonic passage is
> placed into the @code{Voice} context which was in use immediately
> before the polyphonic passage, and that same @code{Voice} context
> continues after the temporary section.  Other expressions within
> the angle brackets are assigned to distinct temporary voices.
> This allows lyrics to be assigned to one continuing voice before,
> during and after a polyphonic section:
> 
> @lilypond[quote, verbatim, relative=2]
> <<
>   \new Voice = "melody" {
>     a4
>     <<
>       {
>         \voiceOne
>         g f
>       }
>       \new Voice {
>         \voiceTwo
>         d2
>       }
>     >>
>     \oneVoice
>     e4
>   }
>   \new Lyrics \lyricsto "melody" {
>   This is my song.
>   }
1438a1468,1470
> Here, the @code{\voiceOne} and @code{\voiceTwo} commands are
> required to define the settings of each voice.
> 
1447,1448c1479,1480
<   { a4 g2 f4~ f4 } \\
<   { s4 g4 f2 f4 }
---
>   { \voiceOne a4 g2 f4~ f4 }
>   \new Voice { \voiceTwo s4 g4 f2 f4 }
1449a1482
> \oneVoice
1458,1459c1491,1492
<     { a4 g2 f4~ f4 } \\
<     { s4 g4 f2 f4 }
---
>     { \voiceOne a4 g2 f4~ f4 }
>     \new Voice { \voiceTwo s4 g4 f2 f4 }
1460a1494
>   \oneVoice
1463,1464c1497,1498
<     { <c g>1 ~ <c g>4 } \\
<     { e,,4 d e2 ~ e4}
---
>     { \voiceOne <c g>1 ~ <c g>4 }
>     \new Voice { \voiceTwo e,,4 d e2 ~ e4}
1465a1500
>   \oneVoice