Ossie Wilson wrote:
I have attached the Ly file
After a cursory look, I would say this file is
badly mangled as regards key signatures.
In part one at bar 29 it helps to say
\key df instead of \key cs
because the subseqent notes are e.g. df, gf, ...
Also part one should declare _at_least_ one
additional key change: at bar 13, to \key gf \major
This is odd because to insert this in the "low" voices
you have to first split up the initial 26 silent bars.
But then again, at the top it says
"Generated from a MIDI File by LyFromMIDI ..."
So \transpose isn't really your problem at the moment.
You have to get it looking right in the original first.
Cheers,
Robin
P.S. And yes, Win98 users are stuck at 2.8.
\version "2.8.6"
\paper {
#(set-paper-size "a4")
line-width = 20\cm
print-page-number =##t
printfirst-page-number = ##t
between-system-space = 0.1 \cm
after-title-space = 0.1 \cm
ragged-bottom =##f
ragged-first-bottom = ##f
top-margin = 0.16 \cm
head-separation = 0.04 \cm
bottom-margin = 0.1 \cm
left-margin = 0.4 \cm
}
#(set-global-staff-size 18)
\include "english.ly"
\header {
composer = "Richard Rodgers"
poet = "Oscar Hammerstein II"
copyright = "" %"Copyright © 2006 by O.A.Wilson"
title = "If I Loved You"
subtitle = ""
tagline ="" % "Generated from a MIDI File by LyFromMIDI and then Typeset by LilyPond"
}
melodyone = {
\time 2/4
\key g \major
\clef treble
\stemNeutral
% Bar 1
\tempo 4 = 104
R1*2/4
% Bar 2
R1*2/4
% Bar 3
R1*2/4
% Bar 4
r4 d'8 d' \break
% Bar 5
g'4 g'8 g'
% Bar 6
g'2
% Bar 7
g'8 d' g' a'
% Bar 8
g'4 r8 d'8 \break
% Bar 9
g'4 g'8 g'
% Bar 10
g'8. d'16 g'8 a'
% Bar 11
g'2 ~
% Bar 12
g'4 r8 g'8 \break
% Bar 13
\key gf \major
gf'8. gf'16 gf'8 gf'
% Bar 14
gf'8 gf'4 gf'8
% Bar 15
gf'8. gf'16 gf'8 gf'
% Bar 16
gf'8 r8 gf'8 gf' \break
% Bar 17
gf'4. gf'8
% Bar 18
gf'4 gf'8 gf'
% Bar 19
gf'2 ~ \break
% Bar 20
gf'8 \breathe r8 gf'8^\markup {\italic {meno mosso } } gf'
% Bar 21
bf'2
% Bar 22
bf'2 ~
% Bar 23
bf'2 ~ \break
% Bar 24
bf'4^\fermata \breathe r8 bf'8
% Bar 25
bf'8.^\markup {\italic { poco rit. }} ef'16 ef'8 ef'
% Bar 26
ef'4. ef'16 ef'
% Bar 27
f'8 af' df' f' \break
% Bar 28
c'2^\fermata \bar "||"
% Bar 29
\key df \major
\time 4/4
df'2^\markup {\italic "a tempo (" \smaller \note #"4" #1 " = 82)"} f'
% Bar 30
bf'4 bf'2. \break
% Bar 31
df''4 ~ \times 2/3 {df''8 c'' bf'} af'4 ~ \times 2/3 {af'8 gf' f' }
% Bar 32
ef'4 df' f'2
% Bar 33
ef'2 gf' \break
% Bar 34
c''4 c''2 df''4
% Bar 35
af'1 ~
% Bar 36
af'2. r4 \break
% Bar 37
df'2^\markup {\italic "piu mosso" } f'
% Bar 38
bf'4 bf'2.
% Bar 39
df''4 ~ \times 2/3 {df''8 c'' bf'} af'4 ~ \times 2/3 {af'8 gf' f'} \break
% Bar 40
ef'4 df' f'2
% Bar 41
ef'2 gf'
% Bar 42
c''4 c''2 df''4 \break
% Bar 43
df''1 ~
% Bar 44
df''2 ~ df''4 r4 \mark \markup { \musicglyph #"scripts.segno" }
% Bar 45
\bar "||" df''2 c''4 bf' \break
% Bar 46
af'4 gf' r4 af'8 bf'
% Bar 47
c''2 c''
% Bar 48
c''2 ~ c''4. r8 \break
% Bar 49
df''2 c''4 bf'
% Bar 50
af'4 gf' af' bf'
% Bar 51
ef''2 ef'' \break
% Bar 52
ef''2 ~ ef''4. r8
% Bar 53
df''2 f'
% Bar 54
bf'4 bf'2. \break
% Bar 55
df''4 ~ \times 2/3 {df''8 c'' bf'} af'4 ~ \times 2/3 {af'8 gf' f' }
% Bar 56
ef'4 df' f'2
% Bar 57
ef'2 gf' \break
% Bar 58
c''4 c''2 df''4^\markup { \hspace #3.4 "to CODA" } \mark \markup { \musicglyph #"scripts.coda" }
% Bar 59
f''1 ~
% Bar 60
f''2. r4 \break
% Bar 61
ef''2 f''
% Bar 62
gf''4 gf''2. ~
% Bar 63
gf''2. r4 \break
% Bar 64
bf'2^\markup { \italic rit. } c''
% Bar 65
df''4 df''2. ~
% Bar 66
df''2 r2^\markup { \hspace #-4.5 {\large \bold {"D.S. al " \raise #1 \musicglyph #"scripts.coda" " CODA" }}} \bar "||" \break
}
% End of Notes
melodytwo = {
\time 4/4
\key df \major
\clef treble
\stemNeutral
% Bar 67
\set Score.currentBarNumber = #67
f''1^\markup { \hspace #'-4 \raise #2 { \large \bold \musicglyph #"scripts.coda" \raise #-1 " CODA" } } ~
% Bar 68
f''2. r4
% Bar 69
ef''2 f''2 \break
% Bar 70
gf''4 gf''2. ~
% Bar 71
gf''2. r4
% Bar 72
bf'2^\markup { \italic "rit." } c''
% Bar 73
df''1^\markup { \italic "a tempo" } \break
% Bar 74
df''1 ~
% Bar 75
df''1 ~
% Bar 76
df''2. r4 \breathe
% Bar 77
R1^\fermataMarkup \break
% Bar 78
\bar "|."
}
textone = \lyricmode {
When I worked in the mill, weav -- ing at the loom, I'd gaze ab -- sent mind -- ed at the roof' and half the time the shut -- tle would tan -- gle in the threads, and the warp get mixed with the woof. If I loved you! But some -- how I can see just ex -- act -- ly how I'd be If I loved you. time and a -- gain I would try to say all I'd want you to know. If I loved you, words would -- n't come in an eas -- y way' round in cir -- cles I'd go. Long -- ing to tell you, but a -- fraid and shy, I'd let my gold -- en chanc -- es pass me by Soon you'd leave me, off you would go in the mist of day, nev -- er nev -- er to know how I loved you, if I loved you.
}
texttwo = \lyricmode {
know how I loved you, if I loved you.
}
rightone = {
\time 2/4
\key g \major
\clef treble
\stemUp
\slurUp
\tieUp
\phrasingSlurUp
% Start of Notes
% Bar 1
\stemDown <b' g''>8\( <c'' a''> < d'' b''> <c'' a''>\)
% Bar 2
<b' g''>8\( <c'' a''> < d'' b''> <c'' a''> \)
% Bar 3
<b' g''>8 \(<c'' a''> < d'' b''> <c'' a''>\)
% Bar 4
<b' g''>8 \(<c'' a''> < d'' b''> <c'' a''>\)
% Bar 5
<b' g''>8\( <c'' a''> < d'' b''> <c'' a''>\)
% Bar 6
<b' g''>8\( <c'' a''> < d'' b''> <c'' a''>\)
% Bar 7
<b' g''>8\( <c'' a''> < d'' b''> <c'' a''>\)
% Bar 8
<b' g''>8 \(<c'' a''> < d'' b''> <c'' a''>\)
% Bar 9
<b' g''>8\(<c'' a''> < d'' b''> <c'' a''>\)
% Bar 10
<b' g''>8\( <c'' a''> < d'' b''> <c'' a''>\)
% Bar 11
<b' g''>8 \(<c'' a''> < d'' b''> <c'' a''>\)
% Bar 12
<b' g''>8\( <c'' a''> < d'' b''> <c'' a''>\)
% Bar 13
\key gf \major
<bf' gf''>8\( <cf'' af''> <df'' bf''> <cf'' af''>\)
% Bar 14
<bf' gf''>8\(<cf'' af''> <df'' bf''> <cf'' af''>\)
% Bar 15
<bf' gf''>8\( <cf'' af''> <df'' bf''> <cf'' af''>\)
% Bar 16
<bf' gf''>8\( <cf'' af''> <df'' bf''> <cf'' af''>\)
% Bar 17
<bf' gf''>8\(<cf'' af''> <df'' bf''> <cf'' af''>\)
% Bar 18
<bf' gf''>8\( <cf'' af''> <df'' bf''> <cf'' af''>\)
% Bar 19
<bf' gf''>8\( <cf'' af''> <df'' bf''> <cf'' af''>\)
% Bar 20
<bf' gf''>8 \breathe r8 r4 \stemUp
% Bar 21
d'8 \( ef' f' ef'\)
% Bar 22
d'2 ~
% Bar 23
d'2 ~
% Bar 24
d'4^\fermata \breathe r4
% Bar 25
<bf ef' bf'>2 ~
% Bar 26
<bf ef' bf'>2
% Bar 27
<af af'>2
% Bar 28
f'4 ef'^\fermata \bar "||"
% Bar 29
\key df \major
\time 4/4
r8 f'4. r8 f'4.
% Bar 30
r8 g'4. r8 g'4.
% Bar 31
r8 f'4. r8 f'4.
% Bar 32
r8 f'4. r8 f'4.
% Bar 33
r8 gf'4. r8 gf'4.
% Bar 34
r8 bf'4. r8 bf'4.
% Bar 35
r8 f'4. r8 f'4.
% Bar 36
r8 f'4. r8 f'4.
% Bar 37
r8 f'4. r8 f'4.
% Bar 38
r8 g'4. r8 g'4.
% Bar 39
r8 f'4. r8 f'4.
% Bar 40
r8 f'4. r8 f'4.
% Bar 41
r8 gf'4. r8 gf'4.
% Bar 42
r8 bf'4. r8 bf'4.
% Bar 43
af'1
% Bar 44
a'4 ~ a'8 bf'16 c'' df''4 c'' \bar "||"
% Bar 45
df''2 c''4 bf'
% Bar 46
af'4 gf' af' bf'
% Bar 47
c''2 c''
% Bar 48
c''1
% Bar 49
df''2 c''4bf'
% Bar 50
af'4 gf' af' bf'
% Bar 51
ef''2 ef''
% Bar 52
ef''1
% Bar 53
r8 f'4. r8 f'4.
% Bar 54
r8 gf'4. r8 g'4.
% Bar 55
r8 f'4. r8 f'4.
% Bar 56
r8 f'4. r8 f'4.
% Bar 57
r8 gf'4. r8 gf'4.
% Bar 58
r8 bf'4. r8 bf'4.
% Bar 59
df''2( c'')
% Bar 60
df''2( c'')
% Bar 61
ef''2 f''
% Bar 62
gf''4 gf''2.
% Bar 63
R1
% Bar 64
<df' f' gf' bf'>2 <ef' gf' af' c''>
% Bar 65
<af' df'' >1
% Bar 66
af'2 a'4\( bf'8 c''\) \bar "||"
}
rightonelow = {
\time 2/4
\key g \major
\clef treble
\stemDown
\tieDown
\slurDown
\phrasingSlurDown
% Start of Notes
% Bar 1
s2*12
% Bar 13
\key gf \major
s2*14
% Bar 27
ef'4( df')
% Bar 28
<af c'>2 \bar "||"
% Bar 29
\key df \major
\time 4/4
s8 af8\( df' af \) s8 af8\( df' af\)
% Bar 30
s8 bf8\( e' g\) s8 bf \(e' g\)
% Bar 31
s8 af8\( df' af\) s8 af\( df' af\)
% Bar 32
s8 a8\( df' a\) s8 a\( df' a\)
% Bar 33
s8 bf8 \(ef' bf\) s8 bf\( ef' bf\)
% Bar 34
s8 c'8\( g' df'\) s8 c'\( g' df'\)
% Bar 35
s8 af8\( df' af\) s8 af\( df' af\)
% Bar 36
s8 af8 \(c' af\) s8 af\( c' af\)
% Bar 37
s8 af8 \(df' af\) s8 af\( df' af\)
% Bar 38
s8 bf8\( e' g\) s8 bf\( e' g\)
% Bar 39
s8 af8\( df' af\) s8 af\( df' af\)
% Bar 40
s8 a8\( df' a\) s8 a\( df' a\)
% Bar 41
s8 bf8\( ef' bf\) s8 bf\( ef' bf\)
% Bar 42
s8 c'8\( g' df'\) s8 c'\( g' df'\)
% Bar 43
r8 df'8\( f' df'\) r8 df'\( f' df'\)
% Bar 44
r8 df'8\( f' df'\) r8 f' \(a' f'\)
% Bar 45
r8 df'8\( f' df'\) r8 df'\( f' df'\)
% Bar 46
r8 bf8\( ef' bf \) r8 bf \( ef' bf\)
% Bar 47
r8 d'8\( fs' d' \) r8 d'\( fs' d' \)
% Bar 48
r8 d'8\( fs' d'\) r8 d'\( fs' d'\)
% Bar 49
r8 df'8\( f' df'\) r8 df'\( f' df'\)
% Bar 50
r8 bf8\( ef' bf\) r8 bf \(ef' bf\)
% Bar 51
r8 ef'8\( <gf' cf''> ef'\) r8 ef'\( <g' bf' df''> ef'\)
% Bar 52
r8 ef'8\( <af' c''> ef'\) r8 ef'\( <gf' af' c''> ef'\)
% Bar 53
s8 af8\( df' af \) s8 af \( df' af \)
% Bar 54
s8 bf8\( e' g\) s8 bf \(e' g\)
% Bar 55
s8 af8\( df' af\) s8 af\( df' af\)
% Bar 56
s8 a8\( df' a\) s8 a\( df' a\)
% Bar 57
s8 bf8\( ef' bf\) s8 bf\( ef' bf\)
% Bar 58
s8 c'8\( g' df'\) s8 c'\( g' df'\)
% Bar 59
r8 df'8\( <f' af'> df'\) r8 c'\( <f' af'> c'\)
% Bar 60
r8 df'8\( <f' af'> df'\) r8 c' \(<f' af'> c'\)
% Bar 61
r8 ef'8\( <gf' bf'> ef'\) r8 f'\( <af' df''> f'\)
% Bar 62
r8 gf'8\( <bf' df'' ef''> gf'\) ~ <gf' bf' df'' ef''>2
% Bar 63
R1
% Bar 64
s1
% Bar 65
f'2 c'4( f')
% Bar 66
<df' f'>1 \bar "||"
}
% End of Notes
leftone = {
\time 2/4
\key g \major
\clef bass
\stemUp
\tieUp
\slurUp
\phrasingSlurUp
% Start of Notes
% Bar 1
\stemDown b8\( d' g' d'\)
% Bar 2
\stemDown b8\( d' g' d'\)
% Bar 3
\stemDown b8\( d' g' d'\)
% Bar 4
\stemDown b8\( d' g' d'\)
% Bar 5
\stemDown b8\( d' g' d'\)
% Bar 6
\stemDown b8\( d' g' d'\)
% Bar 7
\stemDown b8\( d' g' d'\)
% Bar 8
\stemDown b8\( d' g' d'\)
% Bar 9
\stemDown b8\( d' g' d'\)
% Bar 10
\stemDown b8\( d' g' d'\)
% Bar 11
\stemDown b8\( d' g' d'\)
% Bar 12
\stemDown b8\( d' g' d'\)
% Bar 13
\key gf \major
bf8 \( df' ef' df'\)
% Bar 14
bf8\( df' ef' df'\)
% Bar 15
bf8\( df' ef' df'\)
% Bar 16
bf8\( df' ef' df'\)
% Bar 17
bf8 \( df' ef' df'\)
% Bar 18
bf8\( df' ef' df'\)
% Bar 19
bf8\( df' ef' df'\)
% Bar 20
bf8 \breathe r8 r4
% Bar 21
f8 \(g af g
% Bar 22
f8\) bf\( f d\)
% Bar 23
\stemUp bf,2 ~
% Bar 24
bf,4^\fermata \breathe r4
% Bar 25
g,2 ~
% Bar 26
g,2
% Bar 27
f2
% Bar 28
gf2 \bar "||"
% Bar 29
\key df \major
\time 4/4
df2( df,)
% Bar 30
df2( df,)
% Bar 31
f,2( f)
% Bar 32
f,2 ( f)
% Bar 33
gf,2 (gf)
% Bar 34
e,2 (e)
% Bar 35
f,2( f)
% Bar 36
f,2( f)
% Bar 37
df2 ( df,)
% Bar 38
df2 ( df,)
% Bar 39
f,2( f)
% Bar 40
f,2( f )
% Bar 41
gf,2( gf)
% Bar 42
e,2( e)
% Bar 43
f,2( f)
% Bar 44
f,2( f) \bar "||"
% Bar 45
bf,2 bf,
% Bar 46
ef,2 (ef)
% Bar 47
d,2( d)
% Bar 48
d,2( d)
% Bar 49
df,2( df)
% Bar 50
gf,2( gf)
% Bar 51
cf2 bf,
% Bar 52
af,2( af)
% Bar 53
df2( df,)
% Bar 54
df2( df,)
% Bar 55
f,2( f)
% Bar 56
f,2( f)
% Bar 57
gf,2( gf)
% Bar 58
e,2 (e)
% Bar 59
af,2( f,)
% Bar 60
af,2( f,)
% Bar 61
<gf, gf>2 <f, f>
% Bar 62
<ef, ef>4 <ef, ef>2.
% Bar 63
R1
% Bar 64
gf2 gf
% Bar 65
df1 ~
% Bar 66
df1
}
leftonelow = {
\time 2/4
\key g \major
\clef bass
\stemDown
\tieDown
\slurDown
\phrasingSlurDown
% Start of Notes
% Bar 1
s2*12
% Bar 13
\key gf \major
s2*14
% Bar 27
af,2 ~
% Bar 28
af,2 \bar "||"
% Bar 29
\key df \major
\time 4/4
% Bar 30
}
% End of Notes
righttwo = {
\time 4/4
\key df \major
\clef treble
\stemUp
\tieUp
\slurUp
\phrasingSlurUp
% Start of Notes
% Bar 67
<df'' f''>1 ~
% Bar 68
<df'' f''>1
% Bar 69
ef''2 f''
% Bar 70
gf''4 gf''2.
% Bar 71
R1
% Bar 72
<df' ef' gf' bf'>2\arpeggio <ef' gf' af' c''>\arpeggio
% Bar 73
#(set-octavation 1)
\set Staff.ottavation = #"8va"
<f'' df'''>8\( <gf'' ef'''> <af'' f'''> <gf'' ef'''>\) <f'' df'''>8\( <gf'' ef'''> <af'' f'''> <gf'' ef'''>\)
% Bar 74
<f'' df'''>8\( <gf'' ef'''> <af'' f'''> <gf'' ef'''>\) <f'' df'''>8\( <gf'' ef'''> <af'' f'''> <gf'' ef'''>\)
% Bar 75
<f'' df'''>8\( <gf'' ef'''> <af'' f'''> <gf'' ef'''>\) <f'' df'''>8\( <gf'' ef'''> <af'' f'''> <gf'' ef'''>\)
% Bar 76
<f'' df'''>8\( <gf'' ef'''> <af'' f'''> <gf'' ef'''>\) <f'' df'''>8\( <gf'' ef'''> <af'' f'''> <gf'' ef'''>\)
#(set-octavation 0) \breathe
% Bar 77
<f af df'>1\arpeggio^\fermata
% Bar 78
\bar "|."
}
righttwolow = {
\time 4/4
\key df \major
\clef treble
\stemDown
\slurDown
\phrasingSlurDown
\tieDown
% Start of Notes
% Bar 67
<f' af'>4 f'\( af' f' ~
% Bar 68
f'4\) f'\( af' f' \)
% Bar 69
r8 ef'8 \(<gf' bf'> ef'\) r8 f'\( <af' df''> f'\)
% Bar 70
r8 gf'8\( <bf' df'' ef''> gf' \) ~ <gf' bf' df'' ef''>2
% Bar 71
s1
% Bar 72
s1
% Bar 73
s1
}
lefttwo = {
\time 4/4
\key df \major
\clef bass
\stemUp
% Start of Notes
% Bar 67
<df, df>1
% Bar 68
<f, f>1
% Bar 69
<gf, gf>2 <f, f>
% Bar 70
<ef, ef>4 <ef, ef>2.
% Bar 71
R1
% Bar 72
gf2\arpeggio af\arpeggio
% Bar 73
df1 \clef treble
% Bar 74
df'2 f'
% Bar 75
bf'1 ~
% Bar 76
bf'1 \clef bass \breathe
% Bar 77
<df, df>1\arpeggio^\fermata
% Bar 78
\bar "|."
}
lefttwolow = {
\time 4/4
\key df \major
\clef bass
\stemDown
% Start of Notes
% Bar 67
s1*11
% Bar 68
}
% End of Notes
\score {
<<
\new Voice = "melone" {
\autoBeamOff
%{ \transpose g g %}
{ \melodyone }
}
\new Lyrics \lyricsto melone \textone
\new PianoStaff <<
\set PianoStaff.connectArpeggios = ##t
\new Staff = "treble" <<
\new Voice = "voice1" { %{ \transpose g g %} {\rightone }}
\new Voice = "voice2" { %{ \transpose g g %} {\rightonelow }}
>>
\new Staff = "bass" <<
\new Voice = "voice1" { %{ \transpose g g %} {\leftone }}
\new Voice = "voice2" { %{ \transpose g g %} {\leftonelow }}
>>
>>
>>
\layout {
indent = 2.0 \cm
linewidth = 18.0 \cm
interscoreline = 0.2 \cm
}
\midi {}
}
\score {
<<
\new Voice = "meltwo" {
\autoBeamOff
\transpose g ds
{ \melodytwo }
}
\new Lyrics \lyricsto meltwo \texttwo
\new PianoStaff <<
\set PianoStaff.connectArpeggios = ##t
\new Staff = "treble" <<
\new Voice = "voice1" { \transpose g ds {\righttwo }}
\new Voice = "voice2" { \transpose g ds { \righttwolow }}
>>
\new Staff = "bass" <<
\new Voice = "voice1" { \transpose g ds { \lefttwo }}
\new Voice = "voice2" { \transpose g ds { \lefttwolow }}
>>
>>
>>
\layout {
indent = 2.0 \cm
linewidth = 18.0 \cm
interscoreline = 0.2 \cm
}
}
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