2009/5/12 Mats Bengtsson <[email protected]>:
>
>
> James E. Bailey wrote:
>>
>> I would just not use partial. You know that you can put in a bar line even
>> if the measure isn't complete.
>> James E. Bailey
>
> Yes, in situations like the following one:
> \relative c'{
> \partial 4 c4 | c d e f | g2. \bar "||" \break
> e4 | g f e d | c2. \bar "|."
> }
>
> but not in situations like
>
> \relative c' {
> c4 d e f | g1 \bar "||" \break
> \set Score.measurePosition = #(ly:make-moment 3 4)
> e | g f e d | c2. \bar "|."
> }
>
> where the upbeat does not match the preceding measure. I suspect that Tim's
> question was about the latter case.
> (Of course you can question the mathematical abilities of the composer in
> this case, but I've seen several printed scores that use this kind of
> construct.)
My case is like:
chorus = \relative c' {
c4 d e f |
g a b
}
verse = \relative c'' {
\partial 4 c4 |
d e d c |
}
\new Staff {
\new Voice = "mel" { \chorus } \new Voice = "vs" {\verse}
}
So actually
\bar "|"
does just what I needed all along!
Thanks.
Now on to my next exercise -- working out how to print capo chords in
parentheses after the regular chord, so I get:
(capo 3) C (A) G7 (E7)
The nearest I can find is at
http://www.mail-archive.com/[email protected]/msg24850.html, but
that does them on different rows and without parentheses.
--
Tim Rowe
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